The Pleasure of the PlayCornell University Press, 1994 - 226 psl. This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
Knygos viduje
Rezultatai 1–3 iš 28
89 psl.
... hero was undertaking at the time , in something that comes to the hero unexpectedly from the outside , or both ( or something else ) . For example , Oedipus did not undertake to bring the Messenger from Corinth ; he simply comes . On ...
... hero was undertaking at the time , in something that comes to the hero unexpectedly from the outside , or both ( or something else ) . For example , Oedipus did not undertake to bring the Messenger from Corinth ; he simply comes . On ...
131 psl.
... hero delicately between the paragon and the abomination . Such compensations make the actions of the hero understandable , if not acceptable in the moral sense . He is seen to be both innocent ( but not quite ) and guilty ( but not ...
... hero delicately between the paragon and the abomination . Such compensations make the actions of the hero understandable , if not acceptable in the moral sense . He is seen to be both innocent ( but not quite ) and guilty ( but not ...
180 psl.
... hero into situations where he reveals his innermost being . All the incidents shown have the object of driving the hero into spiritual conflicts . . . . The individual whose innermost being is thus driven into the open then of course ...
... hero into situations where he reveals his innermost being . All the incidents shown have the object of driving the hero into spiritual conflicts . . . . The individual whose innermost being is thus driven into the open then of course ...
Turinys
Mimesis and Pleasure | 1 |
The Actor as Musical Instrument | 25 |
The Poetics as UrText | 42 |
Autorių teisės | |
Nerodoma skirsnių: 11
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht catastrophe catharsis causality Chekhov comedy concept course death drama Dramatic Character dramatist dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral Moreover murder nature notion O. B. Hardison occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Plot and Action Poetics possible principle probably problem produce protagonist Real Inspector Hound refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply speak speech stage suggests term Tesman theater thematic theme things Thought as Ventriloquism tion tragic vision ventriloquism whole word write