The Pleasure of the PlayCornell University Press, 1994 - 226 psl. This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
Knygos viduje
Rezultatai 1–3 iš 17
124 psl.
... hamartia , or error , committed unknowingly at the crossroads ( outside the play ) and the hamartia of marrying the wrong woman , but these errors would also obtain in my reconstruction of Oedipus as a paragon of virtue . So it can't be ...
... hamartia , or error , committed unknowingly at the crossroads ( outside the play ) and the hamartia of marrying the wrong woman , but these errors would also obtain in my reconstruction of Oedipus as a paragon of virtue . So it can't be ...
129 psl.
... hamartia ( as error ) as if they came out of nowhere . Hamartia is rather a consequence of something else ( character ) while , at the same time , causing of the protagonist's active entry into the " field of guilt , " in Benjamin's ...
... hamartia ( as error ) as if they came out of nowhere . Hamartia is rather a consequence of something else ( character ) while , at the same time , causing of the protagonist's active entry into the " field of guilt , " in Benjamin's ...
131 psl.
... hamartia ( as error ) as if they came out of nowhere . Hamartia is rather a consequence of something else ( character ) while , at the same time , causing of the protagonist's active entry into the " field of guilt , " in Benjamin's ...
... hamartia ( as error ) as if they came out of nowhere . Hamartia is rather a consequence of something else ( character ) while , at the same time , causing of the protagonist's active entry into the " field of guilt , " in Benjamin's ...
Turinys
Mimesis and Pleasure | 1 |
The Actor as Musical Instrument | 25 |
The Poetics as UrText | 42 |
Autorių teisės | |
Nerodoma skirsnių: 11
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht catastrophe catharsis causality Chekhov comedy concept course death drama Dramatic Character dramatist dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral Moreover murder nature notion O. B. Hardison occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Plot and Action Poetics possible principle probably problem produce protagonist Real Inspector Hound refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply speak speech stage suggests term Tesman theater thematic theme things Thought as Ventriloquism tion tragic vision ventriloquism whole word write