The Pleasure of the PlayCornell University Press, 1994 - 226 psl. This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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Rezultatai 13 iš 38
103 psl.
... fictional cannot be experienced by disappearing into it , as we do in dreams , because it then ceases to be illusory ; nor can we experience the fictional by contemplating its material substance ( a 14 - ounce book ) : hence fiction ...
... fictional cannot be experienced by disappearing into it , as we do in dreams , because it then ceases to be illusory ; nor can we experience the fictional by contemplating its material substance ( a 14 - ounce book ) : hence fiction ...
159 psl.
... Fiction is not " identical to the imaginary . . . ; [ rather , it ] endows the imaginary with an articulate gestalt " : Just as the fictionalizing act outstrips the determinacy of the real , so it provides the imaginary with the ...
... Fiction is not " identical to the imaginary . . . ; [ rather , it ] endows the imaginary with an articulate gestalt " : Just as the fictionalizing act outstrips the determinacy of the real , so it provides the imaginary with the ...
166 psl.
... fiction is founded . But in order to see such falsity one must , like a defense lawyer , suspend one's belief in the innocence of the illusion and the artist's right to a perfectly necessary duplicity . Moreover , all of these events ...
... fiction is founded . But in order to see such falsity one must , like a defense lawyer , suspend one's belief in the innocence of the illusion and the artist's right to a perfectly necessary duplicity . Moreover , all of these events ...
Turinys
Mimesis and Pleasure | 1 |
The Actor as Musical Instrument | 25 |
The Poetics as UrText | 42 |
Autorių teisės | |
Nerodoma skirsnių: 11
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Pagrindiniai terminai ir frazės
actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht catastrophe catharsis causality Chekhov comedy concept course death drama Dramatic Character dramatist dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral Moreover murder nature notion O. B. Hardison occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Plot and Action Poetics possible principle probably problem produce protagonist Real Inspector Hound refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply speak speech stage suggests term Tesman theater thematic theme things Thought as Ventriloquism tion tragic vision ventriloquism whole word write