The Pleasure of the PlayCornell University Press, 1994 - 226 psl. This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
Knygos viduje
Rezultatai 13 iš 58
33 psl.
... effect ; it is in the fusion that the effect resides . Let us say a theater audience was confronted unaccountably and with- out precedent - by a sudden display of the virtuosity that is easily achieved in another medium - say , the ...
... effect ; it is in the fusion that the effect resides . Let us say a theater audience was confronted unaccountably and with- out precedent - by a sudden display of the virtuosity that is easily achieved in another medium - say , the ...
95 psl.
... effect for exactly the reason Frye suggests : the characters on stage have either missed the point of their lives or have succeeded in sublimating it , but the effect of this spiritual hamartia is passed directly to the audience as an ...
... effect for exactly the reason Frye suggests : the characters on stage have either missed the point of their lives or have succeeded in sublimating it , but the effect of this spiritual hamartia is passed directly to the audience as an ...
203 psl.
... effect ? How does one maximize a theatrical prop to achieve a maximal emotion from the audience ? Science proceeds from cause to effect , theater from effect ( desired ) to cause ( how to get it ) : D : The hands , how are the hands ...
... effect ? How does one maximize a theatrical prop to achieve a maximal emotion from the audience ? Science proceeds from cause to effect , theater from effect ( desired ) to cause ( how to get it ) : D : The hands , how are the hands ...
Turinys
Mimesis and Pleasure | 1 |
The Actor as Musical Instrument | 25 |
The Poetics as UrText | 42 |
Autorių teisės | |
Nerodoma skirsnių: 11
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht catastrophe catharsis causality Chekhov comedy concept course death drama Dramatic Character dramatist dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral Moreover murder nature notion O. B. Hardison occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Plot and Action Poetics possible principle probably problem produce protagonist Real Inspector Hound refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply speak speech stage suggests term Tesman theater thematic theme things Thought as Ventriloquism tion tragic vision ventriloquism whole word write