The Pleasure of the PlayCornell University Press, 1994 - 226 psl. This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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Rezultatai 1–3 iš 22
58 psl.
... concept of action ; his main point about it is that it should represent a single change to good or bad fortune . A bad play would be one that dealt with several unconnected episodes in the protagonist's life , one that attempted to ...
... concept of action ; his main point about it is that it should represent a single change to good or bad fortune . A bad play would be one that dealt with several unconnected episodes in the protagonist's life , one that attempted to ...
79 psl.
... concept of catharsis , of course , is theater's paranoic self- defense against its critics , since there has always been ( and remains ) the question of what happens to moral poisons that are , as Hamlet ( the play- producer ) put it ...
... concept of catharsis , of course , is theater's paranoic self- defense against its critics , since there has always been ( and remains ) the question of what happens to moral poisons that are , as Hamlet ( the play- producer ) put it ...
157 psl.
... concept of dianoia , it goes without saying , has been lavishly expanded to include the entire dimension of meaningfulness in a literary or dramatic work . Dianoia can be construed as meaning or as theme , and theme , as Seymour Chatman ...
... concept of dianoia , it goes without saying , has been lavishly expanded to include the entire dimension of meaningfulness in a literary or dramatic work . Dianoia can be construed as meaning or as theme , and theme , as Seymour Chatman ...
Turinys
Mimesis and Pleasure | 1 |
The Actor as Musical Instrument | 25 |
The Poetics as UrText | 42 |
Autorių teisės | |
Nerodoma skirsnių: 11
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Pagrindiniai terminai ir frazės
actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht catastrophe catharsis causality Chekhov comedy concept course death drama Dramatic Character dramatist dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral Moreover murder nature notion O. B. Hardison occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Plot and Action Poetics possible principle probably problem produce protagonist Real Inspector Hound refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply speak speech stage suggests term Tesman theater thematic theme things Thought as Ventriloquism tion tragic vision ventriloquism whole word write