The Pleasure of the PlayCornell University Press, 1994 - 226 psl. This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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Rezultatai 1–3 iš 28
64 psl.
... causality which creates all the interest of drama . Before we return to the nature of action , however , let us look more closely at this interplay of causalities . We may begin by saying that drama is the imitation of causality . This ...
... causality which creates all the interest of drama . Before we return to the nature of action , however , let us look more closely at this interplay of causalities . We may begin by saying that drama is the imitation of causality . This ...
66 psl.
... causality which creates all the interest of drama . Before we return to the nature of action , however , let us look more closely at this interplay of causalities . We may begin by saying that drama is the imitation of causality . This ...
... causality which creates all the interest of drama . Before we return to the nature of action , however , let us look more closely at this interplay of causalities . We may begin by saying that drama is the imitation of causality . This ...
70 psl.
... causality , then , is simply what we see happening accord- ing to a probability based in part on a logic of normal expectations and in part on a logic of convention , or what the play announces as its own rules of development ( e.g. ...
... causality , then , is simply what we see happening accord- ing to a probability based in part on a logic of normal expectations and in part on a logic of convention , or what the play announces as its own rules of development ( e.g. ...
Turinys
Mimesis and Pleasure | 1 |
The Actor as Musical Instrument | 25 |
The Poetics as UrText | 42 |
Autorių teisės | |
Nerodoma skirsnių: 11
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Pagrindiniai terminai ir frazės
actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht catastrophe catharsis causality Chekhov comedy concept course death drama Dramatic Character dramatist dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral Moreover murder nature notion O. B. Hardison occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Plot and Action Poetics possible principle probably problem produce protagonist Real Inspector Hound refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply speak speech stage suggests term Tesman theater thematic theme things Thought as Ventriloquism tion tragic vision ventriloquism whole word write