The Pleasure of the PlayCornell University Press, 1994 - 226 psl. This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
Knygos viduje
Rezultatai 1–3 iš 30
133 psl.
... begin to see that character is a reactionary formation , not a self- starting autonomous entity . Brutus is now Cassius — and Caesar and Por- tia and Marc Antony , and whoever Brutus talks to or thinks about — or at least Brutus owes ...
... begin to see that character is a reactionary formation , not a self- starting autonomous entity . Brutus is now Cassius — and Caesar and Por- tia and Marc Antony , and whoever Brutus talks to or thinks about — or at least Brutus owes ...
142 psl.
... begin with Personality , the most palpable level on which charac- ter asserts itself . The word is primarily derived from the Latin personalitas . In its earliest meaning , common until the nineteenth century , personality referred to ...
... begin with Personality , the most palpable level on which charac- ter asserts itself . The word is primarily derived from the Latin personalitas . In its earliest meaning , common until the nineteenth century , personality referred to ...
143 psl.
... begin with Personality , the most palpable level on which charac- ter asserts itself . The word is primarily derived from the Latin personalitas . In its earliest meaning , common until the nineteenth century , personality referred to ...
... begin with Personality , the most palpable level on which charac- ter asserts itself . The word is primarily derived from the Latin personalitas . In its earliest meaning , common until the nineteenth century , personality referred to ...
Turinys
Mimesis and Pleasure | 1 |
The Actor as Musical Instrument | 25 |
The Poetics as UrText | 42 |
Autorių teisės | |
Nerodoma skirsnių: 11
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht catastrophe catharsis causality Chekhov comedy concept course death drama Dramatic Character dramatist dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral Moreover murder nature notion O. B. Hardison occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Plot and Action Poetics possible principle probably problem produce protagonist Real Inspector Hound refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply speak speech stage suggests term Tesman theater thematic theme things Thought as Ventriloquism tion tragic vision ventriloquism whole word write