The Pleasure of the PlayCornell University Press, 1994 - 226 psl. This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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Rezultatai 1–3 iš 33
86 psl.
Bert O. States. CHAPTER 6 Peripety and Recognition ome years ago , I suggested that peripety could be considered So not only as a plot device but ... Peripety and Recognition clear that Aristotle was referring to a 86 Peripety and ...
Bert O. States. CHAPTER 6 Peripety and Recognition ome years ago , I suggested that peripety could be considered So not only as a plot device but ... Peripety and Recognition clear that Aristotle was referring to a 86 Peripety and ...
89 psl.
... Peripety . But let us begin by going back to the original description of peripety and recognition in the Poetics . Aristotle's scientific interests , of course , led him to view peripety from what we might call a middle distance from ...
... Peripety . But let us begin by going back to the original description of peripety and recognition in the Poetics . Aristotle's scientific interests , of course , led him to view peripety from what we might call a middle distance from ...
94 psl.
... peripety is to the sphere of causality — a moment in which something thrown up by the causal chain is crystallized either in the minds of a character or the people in the audience ... Peripety and Recognition tree makes in the forest . If 94.
... peripety is to the sphere of causality — a moment in which something thrown up by the causal chain is crystallized either in the minds of a character or the people in the audience ... Peripety and Recognition tree makes in the forest . If 94.
Turinys
Mimesis and Pleasure | 1 |
The Actor as Musical Instrument | 25 |
The Poetics as UrText | 42 |
Autorių teisės | |
Nerodoma skirsnių: 11
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Pagrindiniai terminai ir frazės
actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht catastrophe catharsis causality Chekhov comedy concept course death drama Dramatic Character dramatist dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral Moreover murder nature notion O. B. Hardison occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Plot and Action Poetics possible principle probably problem produce protagonist Real Inspector Hound refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply speak speech stage suggests term Tesman theater thematic theme things Thought as Ventriloquism tion tragic vision ventriloquism whole word write