The Pleasure of the PlayCornell University Press, 1994 - 226 psl. This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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67 psl.
... ( Othello ) Yesterday I heard in passing that they might transfer our brigade somewhere far away . ( Three Sisters ) Each of these lines opens , by a thin crack , the hidden abyss of the future . It does not matter that the character , as ...
... ( Othello ) Yesterday I heard in passing that they might transfer our brigade somewhere far away . ( Three Sisters ) Each of these lines opens , by a thin crack , the hidden abyss of the future . It does not matter that the character , as ...
153 psl.
... Othello's Identity cannot be summed up as easily as one might sum up his Character or Personality . For in order to be brought to the paradox of killing the thing he loves , Othello must be planted in the world as someone with a ...
... Othello's Identity cannot be summed up as easily as one might sum up his Character or Personality . For in order to be brought to the paradox of killing the thing he loves , Othello must be planted in the world as someone with a ...
156 psl.
... Othello's ) . The odd thing , however , is that we , as audience , are not shocked by this same behavior , because it is embedded in a consistency ( Aristotle's term ) that has been established in Othello's repetitive behavior . And so ...
... Othello's ) . The odd thing , however , is that we , as audience , are not shocked by this same behavior , because it is embedded in a consistency ( Aristotle's term ) that has been established in Othello's repetitive behavior . And so ...
Turinys
Mimesis and Pleasure | 1 |
The Actor as Musical Instrument | 25 |
The Poetics as UrText | 42 |
Autorių teisės | |
Nerodoma skirsnių: 11
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Pagrindiniai terminai ir frazės
actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht catastrophe catharsis causality Chekhov comedy concept course death drama Dramatic Character dramatist dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral Moreover murder nature notion O. B. Hardison occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Plot and Action Poetics possible principle probably problem produce protagonist Real Inspector Hound refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply speak speech stage suggests term Tesman theater thematic theme things Thought as Ventriloquism tion tragic vision ventriloquism whole word write