The Pleasure of the PlayCornell University Press, 1994 - 226 psl. This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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87 psl.
... moreover , a single moment in the whole play - whereby the fortune of the hero is changed , literally , before our eyes . But Aristotle was really borrowing the term from a number of possible terms standing for related or overlapping ...
... moreover , a single moment in the whole play - whereby the fortune of the hero is changed , literally , before our eyes . But Aristotle was really borrowing the term from a number of possible terms standing for related or overlapping ...
124 psl.
... Moreover , one might con- jecture that the popular and incorrect definition of hamartia as tragic flaw " got its start from the conflation of hubris and hamartia in the very practice of tragedy , rather than exclusively through the ...
... Moreover , one might con- jecture that the popular and incorrect definition of hamartia as tragic flaw " got its start from the conflation of hubris and hamartia in the very practice of tragedy , rather than exclusively through the ...
137 psl.
... Moreover , the notion of a " fixed self or a fixed character is a patent absurdity at any behavioral level . A fixed character , in the sense in which Miller apparently conceives it , would be as useless to a human being ( or a ...
... Moreover , the notion of a " fixed self or a fixed character is a patent absurdity at any behavioral level . A fixed character , in the sense in which Miller apparently conceives it , would be as useless to a human being ( or a ...
Turinys
Mimesis and Pleasure | 1 |
The Actor as Musical Instrument | 25 |
The Poetics as UrText | 42 |
Autorių teisės | |
Nerodoma skirsnių: 11
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht catastrophe catharsis causality Chekhov comedy concept course death drama Dramatic Character dramatist dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral Moreover murder nature notion O. B. Hardison occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Plot and Action Poetics possible principle probably problem produce protagonist Real Inspector Hound refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply speak speech stage suggests term Tesman theater thematic theme things Thought as Ventriloquism tion tragic vision ventriloquism whole word write