The Pleasure of the PlayCornell University Press, 1994 - 226 psl. This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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Rezultatai 1–3 iš 22
163 psl.
... Ibsen which has fascinated me for a long time . I choose Ibsen for several reasons : he happens to be the most classical ( Aristotelian ) playwright of the modern period , and he , more than anyone else , taught us how to use characters ...
... Ibsen which has fascinated me for a long time . I choose Ibsen for several reasons : he happens to be the most classical ( Aristotelian ) playwright of the modern period , and he , more than anyone else , taught us how to use characters ...
164 psl.
... ( Ibsen , we've always said , plays better than he reads . ) In short , presentation in the theater detextualizes , or ... Ibsen given us in the way of Tesman's capacities of appreciation or judg- ment ? Ibsen's point all along has been to ...
... ( Ibsen , we've always said , plays better than he reads . ) In short , presentation in the theater detextualizes , or ... Ibsen given us in the way of Tesman's capacities of appreciation or judg- ment ? Ibsen's point all along has been to ...
176 psl.
... Ibsen play - which bristle , in Dr. Stockman's word , with discovery and resolution - and you see how speech and action intersect in one instance ( Ibsen ) and how they follow parallel paths to infinity in the other ( Chekhov ) . I am ...
... Ibsen play - which bristle , in Dr. Stockman's word , with discovery and resolution - and you see how speech and action intersect in one instance ( Ibsen ) and how they follow parallel paths to infinity in the other ( Chekhov ) . I am ...
Turinys
Mimesis and Pleasure | 1 |
The Actor as Musical Instrument | 25 |
The Poetics as UrText | 42 |
Autorių teisės | |
Nerodoma skirsnių: 11
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Pagrindiniai terminai ir frazės
actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht catastrophe catharsis causality Chekhov comedy concept course death drama Dramatic Character dramatist dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral Moreover murder nature notion O. B. Hardison occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Plot and Action Poetics possible principle probably problem produce protagonist Real Inspector Hound refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply speak speech stage suggests term Tesman theater thematic theme things Thought as Ventriloquism tion tragic vision ventriloquism whole word write