The Pleasure of the PlayCornell University Press, 1994 - 226 psl. This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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Rezultatai 1–3 iš 34
40 psl.
... Hamlet's fascination is of this ilk as well . Hamlet has no such intimacy with the audience ( only villains seem aware of the audience ) , but he is probably the hero with whom the audience is on most intimate terms , owing to the ...
... Hamlet's fascination is of this ilk as well . Hamlet has no such intimacy with the audience ( only villains seem aware of the audience ) , but he is probably the hero with whom the audience is on most intimate terms , owing to the ...
41 psl.
... Hamlet is the rare case of a hero who has nothing to do but be himself , which — it turns out - is to be many things ... Hamlet : Hamlet is like us , a versatile and highly variable instru- ment that plays many different tunes . As a ...
... Hamlet is the rare case of a hero who has nothing to do but be himself , which — it turns out - is to be many things ... Hamlet : Hamlet is like us , a versatile and highly variable instru- ment that plays many different tunes . As a ...
140 psl.
... Hamlet speeches elsewhere in the play , this passage is a dis- course on what Hamlet isn't . Let us put aside the possibility that Hamlet is dissembling before this politic convocation of enemies . As a speech of sheer self ...
... Hamlet speeches elsewhere in the play , this passage is a dis- course on what Hamlet isn't . Let us put aside the possibility that Hamlet is dissembling before this politic convocation of enemies . As a speech of sheer self ...
Turinys
Mimesis and Pleasure | 1 |
The Actor as Musical Instrument | 25 |
The Poetics as UrText | 42 |
Autorių teisės | |
Nerodoma skirsnių: 11
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Pagrindiniai terminai ir frazės
actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht catastrophe catharsis causality Chekhov comedy concept course death drama Dramatic Character dramatist dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral Moreover murder nature notion O. B. Hardison occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Plot and Action Poetics possible principle probably problem produce protagonist Real Inspector Hound refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply speak speech stage suggests term Tesman theater thematic theme things Thought as Ventriloquism tion tragic vision ventriloquism whole word write