The Pleasure of the PlayCornell University Press, 1994 - 226 psl. This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
Knygos viduje
Rezultatai 1–3 iš 34
6 psl.
... Greek plays : if Greek dra- matists had been in the habit of writing plays about blind old men con- fined to wheelchairs , tended by irritable servants , he would probably have insisted that plot was still the soul of the drama and ...
... Greek plays : if Greek dra- matists had been in the habit of writing plays about blind old men con- fined to wheelchairs , tended by irritable servants , he would probably have insisted that plot was still the soul of the drama and ...
154 psl.
... Greek tragic character : Greek heroes adhere " irrefragably " to their projects . They " also no doubt [ like modern heroes ] act in accordance with their particular individuality ; but this individuality is necessarily identical with ...
... Greek tragic character : Greek heroes adhere " irrefragably " to their projects . They " also no doubt [ like modern heroes ] act in accordance with their particular individuality ; but this individuality is necessarily identical with ...
223 psl.
... Greek tragedy , 189 ; gods in , 131–32 ; Kierkegaard on , 126 ; and murder , 126-27 ; Severe Style in , 58-59 ; Ver- nant on , 127–28 . See also Aristotle ; Tragedy Grunewald , Matthias , The Crucifixion , 185 Hamartia , 193 ; Aristotle ...
... Greek tragedy , 189 ; gods in , 131–32 ; Kierkegaard on , 126 ; and murder , 126-27 ; Severe Style in , 58-59 ; Ver- nant on , 127–28 . See also Aristotle ; Tragedy Grunewald , Matthias , The Crucifixion , 185 Hamartia , 193 ; Aristotle ...
Turinys
Mimesis and Pleasure | 1 |
The Actor as Musical Instrument | 25 |
The Poetics as UrText | 42 |
Autorių teisės | |
Nerodoma skirsnių: 11
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Pagrindiniai terminai ir frazės
actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht catastrophe catharsis causality Chekhov comedy concept course death drama Dramatic Character dramatist dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral Moreover murder nature notion O. B. Hardison occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Plot and Action Poetics possible principle probably problem produce protagonist Real Inspector Hound refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply speak speech stage suggests term Tesman theater thematic theme things Thought as Ventriloquism tion tragic vision ventriloquism whole word write