The Pleasure of the PlayCornell University Press, 1994 - 226 psl. This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
Knygos viduje
Rezultatai 1–3 iš 21
107 psl.
... Brecht and Chekhov are consummate ironists . Brecht , Eco says , " does not seek to influence the audience , but rather to offer a series of facts to be observed , employing the device of ' defamiliarization ' . " Thus his plays " do ...
... Brecht and Chekhov are consummate ironists . Brecht , Eco says , " does not seek to influence the audience , but rather to offer a series of facts to be observed , employing the device of ' defamiliarization ' . " Thus his plays " do ...
108 psl.
... Brecht's word , for which there is no direct semantic source on the stage . To come back to my earlier figure : the tree falls in Brecht's world , but the sound is heard only in the audience's . And this seems safe to say of Chekhov's ...
... Brecht's word , for which there is no direct semantic source on the stage . To come back to my earlier figure : the tree falls in Brecht's world , but the sound is heard only in the audience's . And this seems safe to say of Chekhov's ...
109 psl.
... ( Brecht 1961 , 302 ) This is what Brecht himself might call an instance of gestic playwriting , or a speech in which “ people adopt attitudes of such a sort that the social laws under which they are acting spring into sight " ( 1966 , 86 ) ...
... ( Brecht 1961 , 302 ) This is what Brecht himself might call an instance of gestic playwriting , or a speech in which “ people adopt attitudes of such a sort that the social laws under which they are acting spring into sight " ( 1966 , 86 ) ...
Turinys
Mimesis and Pleasure | 1 |
The Actor as Musical Instrument | 25 |
The Poetics as UrText | 42 |
Autorių teisės | |
Nerodoma skirsnių: 11
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Pagrindiniai terminai ir frazės
actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht catastrophe catharsis causality Chekhov comedy concept course death drama Dramatic Character dramatist dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral Moreover murder nature notion O. B. Hardison occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Plot and Action Poetics possible principle probably problem produce protagonist Real Inspector Hound refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply speak speech stage suggests term Tesman theater thematic theme things Thought as Ventriloquism tion tragic vision ventriloquism whole word write