The Pleasure of the PlayCornell University Press, 1994 - 226 psl. This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
Knygos viduje
Rezultatai 1–3 iš 81
5 psl.
... Aristotle is saying , perhaps , that in his view it is the playwright's principal instrument among several . If ... Aristotle thinks about plot , in his sense of something being a “ part ” of tragedy and in saying that plot is " the ...
... Aristotle is saying , perhaps , that in his view it is the playwright's principal instrument among several . If ... Aristotle thinks about plot , in his sense of something being a “ part ” of tragedy and in saying that plot is " the ...
7 psl.
... Aristotle , in that I would convert Aristotle's particulars ( designed partly as a polite critique of Plato's critique of imitation ) into Platonic universals . But I would do this , as Kenneth Burke has put it , by taking Plato's ...
... Aristotle , in that I would convert Aristotle's particulars ( designed partly as a polite critique of Plato's critique of imitation ) into Platonic universals . But I would do this , as Kenneth Burke has put it , by taking Plato's ...
123 psl.
... Aristotle is least satisfactory , although in one small way astonishing . Nothing in the Poetics is quite so notorious as Aristotle's insistence that character is secondary to plot and that a tragedy might exist without characters but ...
... Aristotle is least satisfactory , although in one small way astonishing . Nothing in the Poetics is quite so notorious as Aristotle's insistence that character is secondary to plot and that a tragedy might exist without characters but ...
Turinys
Mimesis and Pleasure | 1 |
The Actor as Musical Instrument | 25 |
The Poetics as UrText | 42 |
Autorių teisės | |
Nerodoma skirsnių: 11
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Pagrindiniai terminai ir frazės
actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht catastrophe catharsis causality Chekhov comedy concept course death drama Dramatic Character dramatist dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral Moreover murder nature notion O. B. Hardison occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Plot and Action Poetics possible principle probably problem produce protagonist Real Inspector Hound refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply speak speech stage suggests term Tesman theater thematic theme things Thought as Ventriloquism tion tragic vision ventriloquism whole word write