The Pleasure of the PlayCornell University Press, 1994 - 226 psl. This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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Rezultatai 1–3 iš 27
7 psl.
... Aristotle covers in a single sentence . As for the structure of my argument , I have tried to proceed from the basic principles and to see where they lead in respect to post - Aristotelian playwriting and theory . I suppose there is a ...
... Aristotle covers in a single sentence . As for the structure of my argument , I have tried to proceed from the basic principles and to see where they lead in respect to post - Aristotelian playwriting and theory . I suppose there is a ...
48 psl.
... Aristotelian in form if they manifest a certain orderliness of parts to which we can directly apply the key terms set forth in the Poetics . The closer a play is , say , to Oedipus Rex , the more Aristotelian ; the closer to Ionesco's ...
... Aristotelian in form if they manifest a certain orderliness of parts to which we can directly apply the key terms set forth in the Poetics . The closer a play is , say , to Oedipus Rex , the more Aristotelian ; the closer to Ionesco's ...
180 psl.
... aristotelian drama the plot leads the hero into situations where he reveals his innermost being . All the incidents ... Aristotelian and non - Aristotelian . And as we move to the latter extreme , the possibilities for writing tragedy ...
... aristotelian drama the plot leads the hero into situations where he reveals his innermost being . All the incidents ... Aristotelian and non - Aristotelian . And as we move to the latter extreme , the possibilities for writing tragedy ...
Turinys
Mimesis and Pleasure | 1 |
The Actor as Musical Instrument | 25 |
The Poetics as UrText | 42 |
Autorių teisės | |
Nerodoma skirsnių: 11
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Pagrindiniai terminai ir frazės
actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht catastrophe catharsis causality Chekhov comedy concept course death drama Dramatic Character dramatist dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral Moreover murder nature notion O. B. Hardison occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Plot and Action Poetics possible principle probably problem produce protagonist Real Inspector Hound refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply speak speech stage suggests term Tesman theater thematic theme things Thought as Ventriloquism tion tragic vision ventriloquism whole word write