The Principles of Criticism: An Introduction to the Study of LiteratureGeorge Allen, 1897 - 284 psl. |
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29 psl.
... represented by the poet should be typical , appears more than once in the Poetics in the form of a statement that , according to the method of poetry , an impossibility which is credible is preferable to a possibility which is in ...
... represented by the poet should be typical , appears more than once in the Poetics in the form of a statement that , according to the method of poetry , an impossibility which is credible is preferable to a possibility which is in ...
38 psl.
... adequately disciplined by reason and habit , relaxes its guard over this emotional part , representing to itself that the suffer- 3 605 . 1 604 . 2 605 . On ings which it contemplates are not part of itself 38 PRINCIPLES OF CRITICISM.
... adequately disciplined by reason and habit , relaxes its guard over this emotional part , representing to itself that the suffer- 3 605 . 1 604 . 2 605 . On ings which it contemplates are not part of itself 38 PRINCIPLES OF CRITICISM.
65 psl.
... represented as a ques- tion to be decided by the consideration of the respective methods of poetry and painting , is ... represents Sleep as a Person , and ascribes a short Part to him in his Iliad , but we 2 Ib . 357 . 1 Spectator , 273 ...
... represented as a ques- tion to be decided by the consideration of the respective methods of poetry and painting , is ... represents Sleep as a Person , and ascribes a short Part to him in his Iliad , but we 2 Ib . 357 . 1 Spectator , 273 ...
72 psl.
... represented to the mind of the reader - it is Æneas , not Virgil , who speaks . And in the second place , the author's realization of the character becomes more intense . That is to say , he adopts the principle which Aristotle himself ...
... represented to the mind of the reader - it is Æneas , not Virgil , who speaks . And in the second place , the author's realization of the character becomes more intense . That is to say , he adopts the principle which Aristotle himself ...
80 psl.
... represented as ending in disaster is to force the poet into pronouncing a criticism of life which is by no means universally true . Such a criticism is admitted to be repugnant to popular sentiment even in tragedy . The apparent ...
... represented as ending in disaster is to force the poet into pronouncing a criticism of life which is by no means universally true . Such a criticism is admitted to be repugnant to popular sentiment even in tragedy . The apparent ...
Kiti leidimai - Peržiūrėti viską
The Principles of Criticism– An Introduction to the Study of Literature William Basil Worsfold Visos knygos peržiūra - 1902 |
The Principles of Criticism– An Introduction to the Study of Literature William Basil Worsfold Visos knygos peržiūra - 1923 |
The Principles of Criticism– An Introduction to the Study of Literature William Basil Worsfold Visos knygos peržiūra - 1897 |
Pagrindiniai terminai ir frazės
¹ Ib actor Addison Æneid æsthetic enjoyment appeal applied Aristotle Aristotle's artist aspect become chapter character colour composition conception Cousin creative literature defect degree difference drama effect element embodied emotions Epic epic poetry Essays expression external fact faculty feeling fiction form of poetry formal criticism genius George Eliot gives Greek Greek poetry harmony Herbert Spencer highest Homer human action human song Humour ideal Iliad imitation interpretative power knowledge Laocoon Lessing limited literary manifested mankind Matthew Arnold Maurice de Guérin means ment merit method Milton mind modern moral nature novel objects painter painting Paradise Lost passage perception perfect philosophy physical picture Plato pleasure plot poem poet poetic justice present principle produced prose reader reason representation represented respect rules says scene sensation sense sentiment Shakespeare sight Sophocles soul Spectator spirit stage things thought tion tragedy truth ugliness vehicle verse Virgil words Wordsworth writes
Populiarios ištraukos
222 psl. - I am a Jew. Hath not a Jew eyes? Hath not a Jew hands, organs, dimensions, senses, affections, passions? Fed with the same food, hurt with the same weapons, subject to the same diseases, healed by the same means, warmed and cooled by the same winter and summer as a Christian is? If you prick us, do we not bleed? If you tickle us, do we not laugh? If you poison us, do we not die? And if you wrong us, shall we not revenge?
195 psl. - I have seen A curious Child, who dwelt upon a tract Of inland ground, applying to his ear The convolutions of a smooth-lipped Shell ; To which, in silence hushed, his very soul Listened intensely ; and his countenance soon Brightened with joy ; for murmurings from within Were heard, — sonorous cadences ! whereby, To his belief, the Monitor expressed Mysterious union with its native Sea.
58 psl. - The use of this FEIGNED HISTORY hath been to give some shadow of satisfaction to the mind of man in those points wherein the nature of things doth deny it...
201 psl. - Calm soul of all things! make it mine To feel, amid the city's jar, That there abides a peace of thine, Man did not make, and cannot mar. The will to neither strive nor cry, The power to feel with others give! Calm, calm me more! nor let me die Before I have begun to live.
193 psl. - Farewell ! a long farewell, to all my greatness ! This is the state of man : to-day he puts forth The tender leaves of hope, to-morrow blossoms, And bears his blushing honours thick upon him . The third day comes a frost, a killing frost, And, — when he thinks, good easy man, full surely His greatness is a-ripening, — nips his root, And then he falls, as I do.
98 psl. - It is this sense which furnishes the imagination with its ideas ; so that by ' the pleasures of the imagination,' or ' fancy' (which I shall use promiscuously), I here mean such as arise from visible objects, either when we have them actually in our view, or when we call up their ideas into our minds by paintings, statues, descriptions, or any the like occasion.
116 psl. - Illi agmine certo Laocoonta petunt, et primum parva duorum Corpora natorum serpens amplexus uterque Implicat, et miseros morsu depascitur artus. Post ipsum, auxilio subeuntem ac tela ferentem, Corripiunt, spirisque ligant ingentibus: et jam Bis medium amplexi, bis collo squamea circum Terga dati, superant capite et cervicibus altis.
175 psl. - Or we find attractions in a poetry indifferent to them, in a poetry where the contents may be what they will, but where the form is studied and exquisite. We delude ourselves in either case ; and the best cure for our delusion is to let our minds rest upon that great and inexhaustible word life, until we learn to enter into its meaning. A poetry of revolt against moral ideas is a poetry of revolt against life; a poetry of indifference towards moral ideas is a poetry of indifference towards life.
196 psl. - ye stars, ye waters, On my heart your mighty charm renew ; Still, still let me, as I gaze upon you, Feel my soul becoming vast like you! " From the intense, clear, star-sown vault of heaven, Over the lit sea's unquiet way, In the rustling night-air came the answer: " Wouldst thou be as these are ? Live as they.
178 psl. - The grand power of poetry is its interpretative power ; by which I mean, not a power of drawing out in black and white an explanation of the mystery of the universe, but the power of so dealing with things as to awaken in us a wonderfully full, new, and intimate sense of them, and of our relations with them.