With such sad eyes beneath her hood, And such poor little feet, all bare! Her name was EUGÉNIE LA FÈRE. She used to tell us, - moonlight nights, When I was at the Carmelites. NINON. Ah, then it must be right. And yet, Suppose it were not so ? Suppose there were true men, you know! NINETTE. Well, as to that, he must be tall, And a hook-nose, with, underneath, O! what a row of sparkling teeth! NINON (touching her cheek suspiciously). Then he must fence, (ah, look, 'tis gone!) NINON. Shall I? Then mine has black, black hair. . . I mean he should have; then an air Half sad, half noble ; features thin; And such a pale, high brow. And then, He, too, can ride and fence, and write No worse for that — NINETTE. I know your man. NINON. And I know yours. But you 'll not tell, SCENE. "GOOD-NIGHT, BABETTE!" "Si vieillesse pouvait ! — ·A small neat Room. In a high Voltaire Chair sits a white-haired old Gentleman. MONSIEUR VIEUXBOIS. ВАВЕТТЕ. M. VIEUXBOIS (turning querulously). DAY of my life! Where can she get? BABETTE! I say! BABETTE! - BABETTE! BABETTE (entering hurriedly). Coming, M'sieu'! If M'sieu' speaks So loud, he won't be well for weeks! M. VIEUXBOIS. Where have you been? BABETTE. Why M'sieu' knows : April!... Ville d'Avray!... Ma'am'selle ROSE! M. VIEUXBOIS. Ah! I am old, — and I forget. Was the place growing green, BABETTE? |