Renaissance Drama 33Northwestern University Press, 2005-07-12 - 246 psl. Renaissance Drama, an annual and interdisciplinary publication, is devoted to drama and performance as a central feature of Renaissance culture. The essays in each volume explore traditional canons of drama, the significance of performance (broadly construed) to early modern culture, and the impact of new forms of interpretation on the study of Renaissance plays, theatre, and performance. |
Turinys
How to Do Things with Othello and Desdemona | 3 |
The Social Logic of Ben Jonsons Epicoene | 37 |
Ben Jonson Makes His Excuses | 63 |
Braving It in The Taming of the Shrew | 87 |
King Lear Feminism and Performance | 137 |
The Epicenotaph in Timon of Athens | 159 |
Marston Collaboration and Eastward Ho | 181 |
Early Modern Cultural Semantics | 201 |
Pagrindiniai terminai ir frazės
Alcibiades Antony apparel apprentice associated audience authority authorship Barbarossa Barbary Coast barbering beard Ben Jonson Brabantio braving Cambridge University Press captives Cassio castration Chapman characters Christian cinaedi circumcision claims clothes collaboration contemporary context Cordelia critics cultural Dauphine Dekker depilated Derrida Desdemona DiGangi discussion domestic Drama Early Modern England Eastward Eastward Ho economic Elizabethan Emilia English Epicoene epitaph erotic essay eunuch excuse feminist gelding gender Goneril Grumio History Histriomastix Homoerotics household Iago Iago's Ibid John Marston Jonson Kate King Lear language linguistic literary livery London male Mark Thornton Marston masculine masters Moor notes Othello Ottoman Oxford pathic performance Petruchio play plays production Quarto reference Regan relations Renaissance rhetorical Roderigo role Roman Routledge sartorial Satire scene servants sexual Shakespeare shaving Shrew social power sodomy soliloquy stage status subjectivity suggests texts theater Thomas Timon of Athens Tranio Truewit Turk turning Turk women words writing York