The Artistry of Shakespeare's ProseRoutledge, 2013-09-13 - 464 psl. First published in 1968. This re-issues the revised edition of 1979. The Artistry of Shakespeare's Prose is the first detailed study of the use of prose in the plays. It begins by defining the different dramatic and emotional functions which Shakespeare gave to prose and verse, and proceeds to analyse the recurrent stylistic devices used in his prose. The general and particular application of prose is then studied through all the plays, in roughly chronological order. |
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... Turning to Shakespeare from this perspective I was able to appreciate the pioneering work of two American scholars in the 1940s, T.W. Baldwin and Sister Miriam Joseph, who had shown the extent to which Shakespeare's grammar-school ...
... Turning to Shakespeare from this perspective I was able to appreciate the pioneering work of two American scholars in the 1940s, T.W. Baldwin and Sister Miriam Joseph, who had shown the extent to which Shakespeare's grammar-school ...
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... turns out to be a moral commonplace) from the living tissue of a play, and implicitly suggesting that Shakespeare was offering a discussion of Appearance and Preface Preface to the Revised Edition 1 Shakespeare's Use of Prose.
... turns out to be a moral commonplace) from the living tissue of a play, and implicitly suggesting that Shakespeare was offering a discussion of Appearance and Preface Preface to the Revised Edition 1 Shakespeare's Use of Prose.
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... turn, again with reference to the plays leading up to Love's Labour's Lost. A. Imagery. The approach to Shakespeare through his imagery is one of the most familiar in modern criticism, yet despite many caveats2 on the need to study images ...
... turn, again with reference to the plays leading up to Love's Labour's Lost. A. Imagery. The approach to Shakespeare through his imagery is one of the most familiar in modern criticism, yet despite many caveats2 on the need to study images ...
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... turn the edge, or cut not out the burly-boned clown in chines of beef ere thou sleep in thy sheath, I beseech God on my knees thou mayst be turned to hobnails' (IV, x, 55–7, also 28–9). But his bluff is finally called and the curtain of ...
... turn the edge, or cut not out the burly-boned clown in chines of beef ere thou sleep in thy sheath, I beseech God on my knees thou mayst be turned to hobnails' (IV, x, 55–7, also 28–9). But his bluff is finally called and the curtain of ...
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... turn part of Renaissance 'order ' (pp. 37–9), for I think that Shakespeare totally submerges his own voice in that of his characters, and also uses this logicality for definite dramatic effect (how often, for example, are the ...
... turn part of Renaissance 'order ' (pp. 37–9), for I think that Shakespeare totally submerges his own voice in that of his characters, and also uses this logicality for definite dramatic effect (how often, for example, are the ...
Turinys
From Clown to Character | |
The World of Falstaff | |
Gay Comedy | |
Two Tragic Heroes | |
Serious Comedy | |
Clowns Villians Madmen | |
The Return of Comedy | |
Conclusion | |
Notes | |
Index | |
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