The Artistry of Shakespeare's ProseRoutledge, 2013-09-13 - 464 psl. First published in 1968. This re-issues the revised edition of 1979. The Artistry of Shakespeare's Prose is the first detailed study of the use of prose in the plays. It begins by defining the different dramatic and emotional functions which Shakespeare gave to prose and verse, and proceeds to analyse the recurrent stylistic devices used in his prose. The general and particular application of prose is then studied through all the plays, in roughly chronological order. |
Knygos viduje
Rezultatai 1–5 iš 44
psl.
... tell its story; its other aspects – setting, characters, dialogue, action and theme – it shares with others forms of communication. But the fact that the dramatist is not dealing with characters merely, but with three-dimensional ...
... tell its story; its other aspects – setting, characters, dialogue, action and theme – it shares with others forms of communication. But the fact that the dramatist is not dealing with characters merely, but with three-dimensional ...
psl.
... tell you, that that Lord Say hath gelded the commonwealth, and made it an eunuch. (ibid., 173–7; all italics in quotations from Shakespeare are mine.) This sort of extended development of a metaphor in prose seems the more obvious ...
... tell you, that that Lord Say hath gelded the commonwealth, and made it an eunuch. (ibid., 173–7; all italics in quotations from Shakespeare are mine.) This sort of extended development of a metaphor in prose seems the more obvious ...
psl.
... tell, Beame Scotland maie write, Denmark can shewe, and especially this noble realme of Englande can apparantly declare and make demonstracion.22 Although the outline of thought is clear, the use of the rhetorical structure here is ...
... tell, Beame Scotland maie write, Denmark can shewe, and especially this noble realme of Englande can apparantly declare and make demonstracion.22 Although the outline of thought is clear, the use of the rhetorical structure here is ...
psl.
... tell myself; and yet 'tis a milkmaid; yet 'tis not a maid, for she hath had gossips; yet 'tis a maid, for she is her master's maid and serves for wages. (III, i, 261 ff.) The amusement here comes from seeing a man's tongue thus against ...
... tell myself; and yet 'tis a milkmaid; yet 'tis not a maid, for she hath had gossips; yet 'tis a maid, for she is her master's maid and serves for wages. (III, i, 261 ff.) The amusement here comes from seeing a man's tongue thus against ...
psl.
Pasiekėte šios knygos galimų peržiūrėti puslapių ribą.
Pasiekėte šios knygos galimų peržiūrėti puslapių ribą.
Turinys
From Clown to Character | |
The World of Falstaff | |
Gay Comedy | |
Two Tragic Heroes | |
Serious Comedy | |
Clowns Villians Madmen | |
The Return of Comedy | |
Conclusion | |
Notes | |
Index | |
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
abuse action answer appears applied argument attitude becomes begins better character clown comedy comes comic complete continues contrast Coriolanus course created critics death deflating described detail device direct effect Elizabethan equivocation expressed eyes Falstaff feeling figure final follows fool force further give given goes Hamlet hand hath human humour Iago imagery images important ironic King language later lines logic look lord master meaning mock nature never normal once Pandarus parallel Parolles pattern perhaps person piece play plot present produces prose reason repartee repetition rhetorical scene seems seen sense serious Shakespeare shown significant situation soliloquy speak speech stage structure style stylistic suggest symmetries tell thee thing thou Troilus true turn verse whole witty