The Artistry of Shakespeare's ProseRoutledge, 2013-09-13 - 464 psl. First published in 1968. This re-issues the revised edition of 1979. The Artistry of Shakespeare's Prose is the first detailed study of the use of prose in the plays. It begins by defining the different dramatic and emotional functions which Shakespeare gave to prose and verse, and proceeds to analyse the recurrent stylistic devices used in his prose. The general and particular application of prose is then studied through all the plays, in roughly chronological order. |
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Rezultatai 1–5 iš 78
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... shown the extent to which Shakespeare's grammar-school education had trained him in the compositional techniques codified by Renaissance humanism, especially the arts of language. Suddenly I could see how Shakespeare had deployed these ...
... shown the extent to which Shakespeare's grammar-school education had trained him in the compositional techniques codified by Renaissance humanism, especially the arts of language. Suddenly I could see how Shakespeare had deployed these ...
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... shown here, and the importance that each has in the play as a whole, may help to justify this study of Shakespeare's prose by itself (though I will approach each play as a structure, and in practice will have to consider some of the ...
... shown here, and the importance that each has in the play as a whole, may help to justify this study of Shakespeare's prose by itself (though I will approach each play as a structure, and in practice will have to consider some of the ...
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... shown elsewhere mainly in verse (Iago, Hamlet, Edgar). I think that on balance the advantages of this detailed study of one medium outweigh its obvious limitations – and I hope that it could be used as a basis for the much harder but ...
... shown elsewhere mainly in verse (Iago, Hamlet, Edgar). I think that on balance the advantages of this detailed study of one medium outweigh its obvious limitations – and I hope that it could be used as a basis for the much harder but ...
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... shown to be superior to Cade by his verse before he kills him with his sword (IV, x). By being restricted to prose Cade is shown to be limited, and by contrast with the verse-speakers, contemptible. Earlier in the play Shakespeare used ...
... shown to be superior to Cade by his verse before he kills him with his sword (IV, x). By being restricted to prose Cade is shown to be limited, and by contrast with the verse-speakers, contemptible. Earlier in the play Shakespeare used ...
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... shown again retrospectively, as at the end of their conversation and departure Lucentio and Tranio step forward and comment in the norm of verse, and in this case in a romantic mood. The relaxing step down into prose is used to a very ...
... shown again retrospectively, as at the end of their conversation and departure Lucentio and Tranio step forward and comment in the norm of verse, and in this case in a romantic mood. The relaxing step down into prose is used to a very ...
Turinys
From Clown to Character | |
The World of Falstaff | |
Gay Comedy | |
Two Tragic Heroes | |
Serious Comedy | |
Clowns Villians Madmen | |
The Return of Comedy | |
Conclusion | |
Notes | |
Index | |
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