The Artistry of Shakespeare's ProseRoutledge, 2013-09-13 - 464 psl. First published in 1968. This re-issues the revised edition of 1979. The Artistry of Shakespeare's Prose is the first detailed study of the use of prose in the plays. It begins by defining the different dramatic and emotional functions which Shakespeare gave to prose and verse, and proceeds to analyse the recurrent stylistic devices used in his prose. The general and particular application of prose is then studied through all the plays, in roughly chronological order. |
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... rhetorical and literary theory (of which the conclusion to Puttenham's Arte is the most memorable statement) was that the writer must use 'artifice' assiduously, but must transform it until it looks natural: this Shakespeare understood ...
... rhetorical and literary theory (of which the conclusion to Puttenham's Arte is the most memorable statement) was that the writer must use 'artifice' assiduously, but must transform it until it looks natural: this Shakespeare understood ...
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... rhetorical analysis'); and thirdly he would use them in his own writing. The literature studied, like the instruction given, was predominantly in Latin, but the teaching on rhetoric seems to have been automatically applied to English ...
... rhetorical analysis'); and thirdly he would use them in his own writing. The literature studied, like the instruction given, was predominantly in Latin, but the teaching on rhetoric seems to have been automatically applied to English ...
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... rhetorical analysis of the three climactic scenes. In one reference by Richard Sherry we seem to see into the schoolrooms of 1550 (or 1650, or even 1750): 'The common scholemasters be wont in readynge, to saye unto their scholers: Hic ...
... rhetorical analysis of the three climactic scenes. In one reference by Richard Sherry we seem to see into the schoolrooms of 1550 (or 1650, or even 1750): 'The common scholemasters be wont in readynge, to saye unto their scholers: Hic ...
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... rhetorical figures which had been previously thought the property of poetry.19 In fact this reversal of the original relationships soon became the norm, and well into the Renaissance the use of rhetorical figures was thought to be the ...
... rhetorical figures which had been previously thought the property of poetry.19 In fact this reversal of the original relationships soon became the norm, and well into the Renaissance the use of rhetorical figures was thought to be the ...
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... rhetorical structures (and many others) are used with fertile invention throughout Shakespeare's plays, endlessly adapted to character, situation and mood. It may be useful to give a demonstration of some of these figures at work, and ...
... rhetorical structures (and many others) are used with fertile invention throughout Shakespeare's plays, endlessly adapted to character, situation and mood. It may be useful to give a demonstration of some of these figures at work, and ...
Turinys
From Clown to Character | |
The World of Falstaff | |
Gay Comedy | |
Two Tragic Heroes | |
Serious Comedy | |
Clowns Villians Madmen | |
The Return of Comedy | |
Conclusion | |
Notes | |
Index | |
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