The Artistry of Shakespeare's ProseRoutledge, 2013-09-13 - 464 psl. First published in 1968. This re-issues the revised edition of 1979. The Artistry of Shakespeare's Prose is the first detailed study of the use of prose in the plays. It begins by defining the different dramatic and emotional functions which Shakespeare gave to prose and verse, and proceeds to analyse the recurrent stylistic devices used in his prose. The general and particular application of prose is then studied through all the plays, in roughly chronological order. |
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... reasons: in Elizabethan drama generally prose is the vehicle of an inferior class, such as servants and clowns – this is so in Shakespeare for most of the time, though many of his noblemen speak prose too (the categories are not ...
... reasons: in Elizabethan drama generally prose is the vehicle of an inferior class, such as servants and clowns – this is so in Shakespeare for most of the time, though many of his noblemen speak prose too (the categories are not ...
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... reason, such as drunks (the porter in Macbeth, characters in the drinking-scenes in Henry IV, Antony and Cleopatra, and Othello), and lastly madmen, the use of prose showing both the feigned madness of Hamlet and the real madness of ...
... reason, such as drunks (the porter in Macbeth, characters in the drinking-scenes in Henry IV, Antony and Cleopatra, and Othello), and lastly madmen, the use of prose showing both the feigned madness of Hamlet and the real madness of ...
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... reason stands for my excuse') and puns on them, relapsing into the norm of clown's bawdy and prose: Ay, it stands so that I may hardly tarry so long. But I would be loth to fall to my dreams again. I will therefore tarry in despite of ...
... reason stands for my excuse') and puns on them, relapsing into the norm of clown's bawdy and prose: Ay, it stands so that I may hardly tarry so long. But I would be loth to fall to my dreams again. I will therefore tarry in despite of ...
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... reasons of the immediate dramatic context), they are often degraded by (or in advance of) the process. Richard David has singled out the use of prose for all those characters 'who, though ostensibly of a higher order, are yet denied the ...
... reasons of the immediate dramatic context), they are often degraded by (or in advance of) the process. Richard David has singled out the use of prose for all those characters 'who, though ostensibly of a higher order, are yet denied the ...
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... reasons of dramatic contrast that Shakespeare relegates prose to an inferior position, for a great range of meaningful juxtapositions with verse. But although inferior it is not negligible. The nature of Shakespeare's prose is always ...
... reasons of dramatic contrast that Shakespeare relegates prose to an inferior position, for a great range of meaningful juxtapositions with verse. But although inferior it is not negligible. The nature of Shakespeare's prose is always ...
Turinys
From Clown to Character | |
The World of Falstaff | |
Gay Comedy | |
Two Tragic Heroes | |
Serious Comedy | |
Clowns Villians Madmen | |
The Return of Comedy | |
Conclusion | |
Notes | |
Index | |
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