The Artistry of Shakespeare's ProseRoutledge, 2013-09-13 - 464 psl. First published in 1968. This re-issues the revised edition of 1979. The Artistry of Shakespeare's Prose is the first detailed study of the use of prose in the plays. It begins by defining the different dramatic and emotional functions which Shakespeare gave to prose and verse, and proceeds to analyse the recurrent stylistic devices used in his prose. The general and particular application of prose is then studied through all the plays, in roughly chronological order. |
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... plot involves a disguise, or a failure in trust, then there will inevitably be a comment on the discrepancy between appearance and reality (but how inadequate it is to describe Much Ado About Nothing as 'a play about Appearance and ...
... plot involves a disguise, or a failure in trust, then there will inevitably be a comment on the discrepancy between appearance and reality (but how inadequate it is to describe Much Ado About Nothing as 'a play about Appearance and ...
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... plot; 11 there will of course be exceptions, but this is the norm. And as critics continually demonstrate, Shakespeare balanced his sub-plot in an increasingly meaningful relationship to the main plot: thus we may find reflected in the ...
... plot; 11 there will of course be exceptions, but this is the norm. And as critics continually demonstrate, Shakespeare balanced his sub-plot in an increasingly meaningful relationship to the main plot: thus we may find reflected in the ...
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... plot: because the lower worlds of the plays are necessarily concerned with inferior social or intellectual or even moral states, then prose will inevitably be connected with a lower level of existence. We think of the murderers and ...
... plot: because the lower worlds of the plays are necessarily concerned with inferior social or intellectual or even moral states, then prose will inevitably be connected with a lower level of existence. We think of the murderers and ...
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... ; such as the trap as an emblem for a plot in which one character is trying to manipulate and catch another, as in the Oresteia or in some of Shakespeare's tragedies; or the sudden flurry of images to express the A Critical Method.
... ; such as the trap as an emblem for a plot in which one character is trying to manipulate and catch another, as in the Oresteia or in some of Shakespeare's tragedies; or the sudden flurry of images to express the A Critical Method.
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... plot have put aside their dignity or office generally for mockery or badinage: the imagery 'is subdued To what it ... plots do not immediately become organically related to the main action) but rather that it.
... plot have put aside their dignity or office generally for mockery or badinage: the imagery 'is subdued To what it ... plots do not immediately become organically related to the main action) but rather that it.
Turinys
From Clown to Character | |
The World of Falstaff | |
Gay Comedy | |
Two Tragic Heroes | |
Serious Comedy | |
Clowns Villians Madmen | |
The Return of Comedy | |
Conclusion | |
Notes | |
Index | |
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