The Artistry of Shakespeare's ProseRoutledge, 2013-09-13 - 464 psl. First published in 1968. This re-issues the revised edition of 1979. The Artistry of Shakespeare's Prose is the first detailed study of the use of prose in the plays. It begins by defining the different dramatic and emotional functions which Shakespeare gave to prose and verse, and proceeds to analyse the recurrent stylistic devices used in his prose. The general and particular application of prose is then studied through all the plays, in roughly chronological order. |
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... play go beyond its language. But nevertheless (and it is the constant paradox of a literary work) these larger elements are only created and apprehended through the language, and it seems reasonable to say that if we approach the words ...
... play go beyond its language. But nevertheless (and it is the constant paradox of a literary work) these larger elements are only created and apprehended through the language, and it seems reasonable to say that if we approach the words ...
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... play involves within its action the mounting of another play (as in A Midsummer Night's Dream, say, or Hamlet) there will be discussions of the art and styles of acting, the role of imagination, the nature of illusion – these ...
... play involves within its action the mounting of another play (as in A Midsummer Night's Dream, say, or Hamlet) there will be discussions of the art and styles of acting, the role of imagination, the nature of illusion – these ...
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... play. Within the plays as a whole Shakespeare makes considerable use of prose, and before studying this aspect of his art it is as well to remind ourselves of the extent of his usage. In terms of quantity, we can observe a steady growth ...
... play. Within the plays as a whole Shakespeare makes considerable use of prose, and before studying this aspect of his art it is as well to remind ourselves of the extent of his usage. In terms of quantity, we can observe a steady growth ...
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... play is elsewhere. But nevertheless prose provides a viewpoint which Shakespeare created and shared for some parts of the play, and although these parts may be limited in themselves they are not to be ignored, in the way that so many ...
... play is elsewhere. But nevertheless prose provides a viewpoint which Shakespeare created and shared for some parts of the play, and although these parts may be limited in themselves they are not to be ignored, in the way that so many ...
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... play Shakespeare used prose for a very different effect, in constructing the little mirror-scene in which the good Duke Humphrey exposes the false miracle of Simpcox's restoration to sight. This scene begins in verse (II, i, 75 ff.) but ...
... play Shakespeare used prose for a very different effect, in constructing the little mirror-scene in which the good Duke Humphrey exposes the false miracle of Simpcox's restoration to sight. This scene begins in verse (II, i, 75 ff.) but ...
Turinys
From Clown to Character | |
The World of Falstaff | |
Gay Comedy | |
Two Tragic Heroes | |
Serious Comedy | |
Clowns Villians Madmen | |
The Return of Comedy | |
Conclusion | |
Notes | |
Index | |
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