The Artistry of Shakespeare's ProseRoutledge, 2013-09-13 - 464 psl. First published in 1968. This re-issues the revised edition of 1979. The Artistry of Shakespeare's Prose is the first detailed study of the use of prose in the plays. It begins by defining the different dramatic and emotional functions which Shakespeare gave to prose and verse, and proceeds to analyse the recurrent stylistic devices used in his prose. The general and particular application of prose is then studied through all the plays, in roughly chronological order. |
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... mock it (Crane, p. 5). In the drinking-scene in Othello, amid the general prose, 'Iago's verse asides reveal him still completely selfpossessed' (David, p. 88). Lear mad is brought down to prose but is returned to verse during his ...
... mock it (Crane, p. 5). In the drinking-scene in Othello, amid the general prose, 'Iago's verse asides reveal him still completely selfpossessed' (David, p. 88). Lear mad is brought down to prose but is returned to verse during his ...
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... mock his master's pretence to Romance, either by satirizing the symptoms of Romantic Love, or by juxtaposing it with the realities of lower-class desire. In later comedies this parallel action will be much more subtle. The second ...
... mock his master's pretence to Romance, either by satirizing the symptoms of Romantic Love, or by juxtaposing it with the realities of lower-class desire. In later comedies this parallel action will be much more subtle. The second ...
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... mocking aside which he does not hear although present; and the self-destructive comment, when a character is made to refer to himself disparagingly or (more often) when he uses an image which is patently ridiculous and which therefore ...
... mocking aside which he does not hear although present; and the self-destructive comment, when a character is made to refer to himself disparagingly or (more often) when he uses an image which is patently ridiculous and which therefore ...
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... mocks the symptoms of romantic love: wreathing one's arms – 'like a malcontent', liking a love-song – 'like a robin ... mock Cade, the lawgiver – one of the rebels asks that 'the laws of England may come out of your mouth' and the ...
... mocks the symptoms of romantic love: wreathing one's arms – 'like a malcontent', liking a love-song – 'like a robin ... mock Cade, the lawgiver – one of the rebels asks that 'the laws of England may come out of your mouth' and the ...
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... mocking or ludicrous actions or attributes. All the clowns in the early plays are given such solos, and one linguistic device which is connected only with these early clowns is the semi-naturalistic one of making their speeches begin ...
... mocking or ludicrous actions or attributes. All the clowns in the early plays are given such solos, and one linguistic device which is connected only with these early clowns is the semi-naturalistic one of making their speeches begin ...
Turinys
From Clown to Character | |
The World of Falstaff | |
Gay Comedy | |
Two Tragic Heroes | |
Serious Comedy | |
Clowns Villians Madmen | |
The Return of Comedy | |
Conclusion | |
Notes | |
Index | |
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