The Artistry of Shakespeare's ProseRoutledge, 2013-09-13 - 464 psl. First published in 1968. This re-issues the revised edition of 1979. The Artistry of Shakespeare's Prose is the first detailed study of the use of prose in the plays. It begins by defining the different dramatic and emotional functions which Shakespeare gave to prose and verse, and proceeds to analyse the recurrent stylistic devices used in his prose. The general and particular application of prose is then studied through all the plays, in roughly chronological order. |
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... line-references to the Globe edition; and the chapter title 'Gay Comedy' uses an older, more innocent sense of the word. Brian Vickers London, July 2004 Contents Preface Preface to the Revised Edition 1 Shakespeare's Use.
... line-references to the Globe edition; and the chapter title 'Gay Comedy' uses an older, more innocent sense of the word. Brian Vickers London, July 2004 Contents Preface Preface to the Revised Edition 1 Shakespeare's Use.
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... line: Good day and happiness, dear Rosalind. Jaques' response is sardonic and instantaneous: Nay then God b'wi'you, an you talk in blank verse. [Exit.] Miss Tschopp's conclusion is that 'the audience must obviously be sensitive to the ...
... line: Good day and happiness, dear Rosalind. Jaques' response is sardonic and instantaneous: Nay then God b'wi'you, an you talk in blank verse. [Exit.] Miss Tschopp's conclusion is that 'the audience must obviously be sensitive to the ...
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... lines before suddenly descending to prose. At this point in the scene, with the entry of Adriana and a romantic topic, the medium rightly ascends to verse, and – by giving way to the law of dominant mood – now the Dromio also speaks ...
... lines before suddenly descending to prose. At this point in the scene, with the entry of Adriana and a romantic topic, the medium rightly ascends to verse, and – by giving way to the law of dominant mood – now the Dromio also speaks ...
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... line he responds to the news that he has been absent from his wife's bed all these years: 'Tis much. Servants, leave me and her alone. Madam undress you, and come now to bed. The odd politeness of these lines (contrasting with their ...
... line he responds to the news that he has been absent from his wife's bed all these years: 'Tis much. Servants, leave me and her alone. Madam undress you, and come now to bed. The odd politeness of these lines (contrasting with their ...
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... line the human geography which follows is also basically metaphorical, culminating in the inevitable 'Netherlands' – it is like a grotesque parody of those favourite Elizabethan romantic images based on parts of the body (as here II, ii ...
... line the human geography which follows is also basically metaphorical, culminating in the inevitable 'Netherlands' – it is like a grotesque parody of those favourite Elizabethan romantic images based on parts of the body (as here II, ii ...
Turinys
From Clown to Character | |
The World of Falstaff | |
Gay Comedy | |
Two Tragic Heroes | |
Serious Comedy | |
Clowns Villians Madmen | |
The Return of Comedy | |
Conclusion | |
Notes | |
Index | |
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