The Artistry of Shakespeare's ProseRoutledge, 2013-09-13 - 464 psl. First published in 1968. This re-issues the revised edition of 1979. The Artistry of Shakespeare's Prose is the first detailed study of the use of prose in the plays. It begins by defining the different dramatic and emotional functions which Shakespeare gave to prose and verse, and proceeds to analyse the recurrent stylistic devices used in his prose. The general and particular application of prose is then studied through all the plays, in roughly chronological order. |
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... goes much deeper than any before, and tribute must be paid to Jonas A. Barish for a perceptive analysis of some elements in Shakespeare in his book on Ben Jonson's prose. Mr Barish juxtaposes the two writers very effectively ...
... goes much deeper than any before, and tribute must be paid to Jonas A. Barish for a perceptive analysis of some elements in Shakespeare in his book on Ben Jonson's prose. Mr Barish juxtaposes the two writers very effectively ...
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... goes on, allocating the parts – 'this staff is my sister'; 'This hat is Nan our maid', until he gets to the part which the dog is to play, when complete confusion sets in: 'I am the dog. No, the dog is himself, and I am the dog. O, the ...
... goes on, allocating the parts – 'this staff is my sister'; 'This hat is Nan our maid', until he gets to the part which the dog is to play, when complete confusion sets in: 'I am the dog. No, the dog is himself, and I am the dog. O, the ...
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... goes hard' – may parody the failure of trust in the main plot.) But in addition to its other methods, rhetorical structure is used successfully several times in this speech, most of all in the last example of how Launce took punishment ...
... goes hard' – may parody the failure of trust in the main plot.) But in addition to its other methods, rhetorical structure is used successfully several times in this speech, most of all in the last example of how Launce took punishment ...
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Pasiekėte šios knygos galimų peržiūrėti puslapių ribą.
Pasiekėte šios knygos galimų peržiūrėti puslapių ribą.
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Pasiekėte šios knygos galimų peržiūrėti puslapių ribą.
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Turinys
From Clown to Character | |
The World of Falstaff | |
Gay Comedy | |
Two Tragic Heroes | |
Serious Comedy | |
Clowns Villians Madmen | |
The Return of Comedy | |
Conclusion | |
Notes | |
Index | |
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Pagrindiniai terminai ir frazės
abuse action answer appears applied argument attitude becomes begins better character clown comedy comes comic complete continues contrast Coriolanus course created critics death deflating described detail device direct effect Elizabethan equivocation expressed eyes Falstaff feeling figure final follows fool force further give given goes Hamlet hand hath human humour Iago imagery images important ironic King language later lines logic look lord master meaning mock nature never normal once Pandarus parallel Parolles pattern perhaps person piece play plot present produces prose reason repartee repetition rhetorical scene seems seen sense serious Shakespeare shown significant situation soliloquy speak speech stage structure style stylistic suggest symmetries tell thee thing thou Troilus true turn verse whole witty