The Artistry of Shakespeare's ProseRoutledge, 2013-09-13 - 464 psl. First published in 1968. This re-issues the revised edition of 1979. The Artistry of Shakespeare's Prose is the first detailed study of the use of prose in the plays. It begins by defining the different dramatic and emotional functions which Shakespeare gave to prose and verse, and proceeds to analyse the recurrent stylistic devices used in his prose. The general and particular application of prose is then studied through all the plays, in roughly chronological order. |
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... further accentuated by the murderer returning in callous prose. It would have been possible for Shakespeare to give Clarence verse and the murderers prose, but this sort of separation, although it can devalue the prose-speaker ...
... further accentuated by the murderer returning in callous prose. It would have been possible for Shakespeare to give Clarence verse and the murderers prose, but this sort of separation, although it can devalue the prose-speaker ...
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... further temptation – the metamorphosis is suddenly made and Sly, now responsive to this sensuous world, speaks blank verse: Am I a lord, and have I such a lady? Or do I dream? Or have I dreamed till now? I do not sleep. I see, I hear, I ...
... further temptation – the metamorphosis is suddenly made and Sly, now responsive to this sensuous world, speaks blank verse: Am I a lord, and have I such a lady? Or do I dream? Or have I dreamed till now? I do not sleep. I see, I hear, I ...
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... further in the language, as within the decorum of a blank-verse line he responds to the news that he has been absent from his wife's bed all these years: 'Tis much. Servants, leave me and her alone. Madam undress you, and come now to ...
... further in the language, as within the decorum of a blank-verse line he responds to the news that he has been absent from his wife's bed all these years: 'Tis much. Servants, leave me and her alone. Madam undress you, and come now to ...
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... further distinguish three types of mockery: the direct destructive comment on another character, either to his face or in his absence; the indirect comment, as in a mocking aside which he does not hear although present; and the self ...
... further distinguish three types of mockery: the direct destructive comment on another character, either to his face or in his absence; the indirect comment, as in a mocking aside which he does not hear although present; and the self ...
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... further: Nay look you sir, he tells you flatly what his mind is. Why give him gold enough, and marry him to a puppet or an aglet-baby; or an old trot with ne'er a tooth in her head, though she have as many diseases as two and fifty ...
... further: Nay look you sir, he tells you flatly what his mind is. Why give him gold enough, and marry him to a puppet or an aglet-baby; or an old trot with ne'er a tooth in her head, though she have as many diseases as two and fifty ...
Turinys
From Clown to Character | |
The World of Falstaff | |
Gay Comedy | |
Two Tragic Heroes | |
Serious Comedy | |
Clowns Villians Madmen | |
The Return of Comedy | |
Conclusion | |
Notes | |
Index | |
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