The Artistry of Shakespeare's ProseRoutledge, 2013-09-13 - 464 psl. First published in 1968. This re-issues the revised edition of 1979. The Artistry of Shakespeare's Prose is the first detailed study of the use of prose in the plays. It begins by defining the different dramatic and emotional functions which Shakespeare gave to prose and verse, and proceeds to analyse the recurrent stylistic devices used in his prose. The general and particular application of prose is then studied through all the plays, in roughly chronological order. |
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... follows that the critic must consider the physical representation of the drama – such things as visual imagery, significant groupings or stage-movement – and that the student of Shakespeare's style must try to relate these and such ...
... follows that the critic must consider the physical representation of the drama – such things as visual imagery, significant groupings or stage-movement – and that the student of Shakespeare's style must try to relate these and such ...
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... follow, to see the end of this ado. Petruchio First kiss me Kate, and we will. Katharine What, in the midst of the street? Petruchio What art thou ashamed of me? Katharine No sir, God forbid, but ashamed to kiss. Petruchio Why then ...
... follow, to see the end of this ado. Petruchio First kiss me Kate, and we will. Katharine What, in the midst of the street? Petruchio What art thou ashamed of me? Katharine No sir, God forbid, but ashamed to kiss. Petruchio Why then ...
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... follows is also basically metaphorical, culminating in the inevitable 'Netherlands' – it is like a grotesque parody of those favourite Elizabethan romantic images based on parts of the body (as here II, ii, 115 ff., V, i, 311–16). In ...
... follows is also basically metaphorical, culminating in the inevitable 'Netherlands' – it is like a grotesque parody of those favourite Elizabethan romantic images based on parts of the body (as here II, ii, 115 ff., V, i, 311–16). In ...
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Pasiekėte šios knygos galimų peržiūrėti puslapių ribą.
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Turinys
From Clown to Character | |
The World of Falstaff | |
Gay Comedy | |
Two Tragic Heroes | |
Serious Comedy | |
Clowns Villians Madmen | |
The Return of Comedy | |
Conclusion | |
Notes | |
Index | |
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Pagrindiniai terminai ir frazės
abuse action answer appears applied argument attitude becomes begins better character clown comedy comes comic complete continues contrast Coriolanus course created critics death deflating described detail device direct effect Elizabethan equivocation expressed eyes Falstaff feeling figure final follows fool force further give given goes Hamlet hand hath human humour Iago imagery images important ironic King language later lines logic look lord master meaning mock nature never normal once Pandarus parallel Parolles pattern perhaps person piece play plot present produces prose reason repartee repetition rhetorical scene seems seen sense serious Shakespeare shown significant situation soliloquy speak speech stage structure style stylistic suggest symmetries tell thee thing thou Troilus true turn verse whole witty