The Artistry of Shakespeare's ProseRoutledge, 2013-09-13 - 464 psl. First published in 1968. This re-issues the revised edition of 1979. The Artistry of Shakespeare's Prose is the first detailed study of the use of prose in the plays. It begins by defining the different dramatic and emotional functions which Shakespeare gave to prose and verse, and proceeds to analyse the recurrent stylistic devices used in his prose. The general and particular application of prose is then studied through all the plays, in roughly chronological order. |
Knygos viduje
Rezultatai 1–5 iš 68
psl.
... with line-references to the Globe edition; and the chapter title 'Gay Comedy' uses an older, more innocent sense of the word. Brian Vickers London, July 2004 Contents Preface Preface to the Revised Edition 1 Shakespeare's Use.
... with line-references to the Globe edition; and the chapter title 'Gay Comedy' uses an older, more innocent sense of the word. Brian Vickers London, July 2004 Contents Preface Preface to the Revised Edition 1 Shakespeare's Use.
psl.
... Comedy 6 Two Tragic Heroes 7 Serious Comedy 8 Tragic Prose: Clowns, Villians, Madmen 9 The Return of Comedy Conclusion Notes Index For my parents Chapter 1 Shakespeare's Use of Prose DOI:
... Comedy 6 Two Tragic Heroes 7 Serious Comedy 8 Tragic Prose: Clowns, Villians, Madmen 9 The Return of Comedy Conclusion Notes Index For my parents Chapter 1 Shakespeare's Use of Prose DOI:
psl.
... Comedy of Errors (though not about 'identity' in a modern psychological sense) then it is perfectly natural for characters to say that they are bewitched, and thus some recent discussions of this play in terms of its 'witchcraft' or ...
... Comedy of Errors (though not about 'identity' in a modern psychological sense) then it is perfectly natural for characters to say that they are bewitched, and thus some recent discussions of this play in terms of its 'witchcraft' or ...
psl.
... comedy, but having the dominant part in Much Ado, As You Like It and Twelfth Night, being almost equal in bulk (and in excellence possibly superior) to the verse of Henry IV parts I and 2, Henry V, and All's Well, while playing a very ...
... comedy, but having the dominant part in Much Ado, As You Like It and Twelfth Night, being almost equal in bulk (and in excellence possibly superior) to the verse of Henry IV parts I and 2, Henry V, and All's Well, while playing a very ...
psl.
Brian Vickers. in a limited vision of some plays – The Comedy of Errors, say, or Romeo and Juliet, or The Tempest, for the dominant life of the play is elsewhere. But nevertheless prose provides a viewpoint which Shakespeare created and ...
Brian Vickers. in a limited vision of some plays – The Comedy of Errors, say, or Romeo and Juliet, or The Tempest, for the dominant life of the play is elsewhere. But nevertheless prose provides a viewpoint which Shakespeare created and ...
Turinys
From Clown to Character | |
The World of Falstaff | |
Gay Comedy | |
Two Tragic Heroes | |
Serious Comedy | |
Clowns Villians Madmen | |
The Return of Comedy | |
Conclusion | |
Notes | |
Index | |
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
abuse action answer appears applied argument attitude becomes begins better character clown comedy comes comic complete continues contrast Coriolanus course created critics death deflating described detail device direct effect Elizabethan equivocation expressed eyes Falstaff feeling figure final follows fool force further give given goes Hamlet hand hath human humour Iago imagery images important ironic King language later lines logic look lord master meaning mock nature never normal once Pandarus parallel Parolles pattern perhaps person piece play plot present produces prose reason repartee repetition rhetorical scene seems seen sense serious Shakespeare shown significant situation soliloquy speak speech stage structure style stylistic suggest symmetries tell thee thing thou Troilus true turn verse whole witty