The Artistry of Shakespeare's ProseFirst published in 1968. This re-issues the revised edition of 1979. The Artistry of Shakespeare's Prose is the first detailed study of the use of prose in the plays. It begins by defining the different dramatic and emotional functions which Shakespeare gave to prose and verse, and proceeds to analyse the recurrent stylistic devices used in his prose. The general and particular application of prose is then studied through all the plays, in roughly chronological order. |
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But it is not to be taken as evidence of 'the Mutability-theme': similar stock remarks are found in many plays (e.g. Coriolanus) where they are as functionally relevant but as thematically irrelevant as they are here.
But it is not to be taken as evidence of 'the Mutability-theme': similar stock remarks are found in many plays (e.g. Coriolanus) where they are as functionally relevant but as thematically irrelevant as they are here.
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On first thought we might connect tragic prose with a few isolated clown scenes, but in fact prose occupies roughly a quarter of the whole in Hamlet, Lear, Timon of Athens and Coriolanus, while its importance for Mercutio or Iago bulks ...
On first thought we might connect tragic prose with a few isolated clown scenes, but in fact prose occupies roughly a quarter of the whole in Hamlet, Lear, Timon of Athens and Coriolanus, while its importance for Mercutio or Iago bulks ...
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tragedies; or the sudden flurry of images to express the inversion of degree when Coriolanus' mother kneels to him. iii. stage imagery: visual effects in terms of grouping or movement which meaningfully add to the dramatic effect: such ...
tragedies; or the sudden flurry of images to express the inversion of degree when Coriolanus' mother kneels to him. iii. stage imagery: visual effects in terms of grouping or movement which meaningfully add to the dramatic effect: such ...
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... as if to clarify the issues which will be involved in The Merchant of Venice, say, or Coriolanus). But two of Mr Barish's general points can be taken over and endorsed: first, on that remarkable blending of artifice with nature: ...
... as if to clarify the issues which will be involved in The Merchant of Venice, say, or Coriolanus). But two of Mr Barish's general points can be taken over and endorsed: first, on that remarkable blending of artifice with nature: ...
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Pasiekėte šios knygos galimų peržiūrėti puslapių ribą.
Pasiekėte šios knygos galimų peržiūrėti puslapių ribą.
Ką žmonės sako - Rašyti recenziją
Neradome recenzijų įprastose vietose.
Turinys
From Clown to Character | |
The World of Falstaff | |
Gay Comedy | |
Two Tragic Heroes | |
Serious Comedy | |
Clowns Villians Madmen | |
The Return of Comedy | |
Conclusion | |
Notes | |
Index | |
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
abuse action answer appears applied argument attitude becomes begins better character clown comedy comes comic complete continues contrast Coriolanus course created critics death deflating described detail device direct effect Elizabethan equivocation expressed eyes Falstaff feeling figure final follows fool force further give given goes Hamlet hand hath human humour Iago imagery images important ironic King language later lines logic look lord master meaning mock nature never normal once Pandarus parallel Parolles pattern perhaps person piece play plot present produces prose reason repartee repetition rhetorical scene seems seen sense serious Shakespeare shown significant situation soliloquy speak speech stage structure style stylistic suggest symmetries tell thee thing thou Troilus true turn verse whole witty
Bibliografinė informacija
| Pavadinimas | The Artistry of Shakespeare's Prose |
| Autorius | Brian Vickers |
| Leidimas | pakartotinai išspausdintas |
| Leidėjas | Routledge, 2013 |
| ISBN | 1136565523, 9781136565526 |
| Ilgis | 464 psl. |
| Eksportuoti šaltinį | BiBTeX EndNote RefMan |