The Book of Dreams and Ghosts

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Longmans, Green, 1897 - 301 psl.
." . . the stories we have been telling deal with living men supposed to be influencing living men. When the dead are alleged to exercise a similar power, we have to suppose that some consciousness survives the grave, and manifests itself by causing hallucinations among the living. Instances of this have already been given in "The Ghost and the Portrait," "The Bright Scar" and "Riding Home after Mess." These were adduced as examples of veracity in hallucinations. Each appearance gave information to the seer which he did not previously possess. In the first case, the lady who saw the soldier and the suppliant did not know of their previous existence and melancholy adventure. In the second, the brother did not know that his dead sister's face had been scratched. In the third, the observer did not know that Lieutenant B. had grown a beard and acquired a bay pony with black mane and tail. But though the appearances were veracious, they were purposeless, and again, as in each case the information existed in living minds, it may have been wired on from them. . . ."
 

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Apie autorių (1897)

Andrew Lang was born at Selkirk in Scotland on March 31, 1844. He was a historian, poet, novelist, journalist, translator, and anthropologist, in connection with his work on literary texts. He was educated at Edinburgh Academy, St. Andrews University, and Balliol College, Oxford University, becoming a fellow at Merton College. His poetry includes Ballads and Lyrics of Old France (1872), Ballades in Blue China (1880--81), and Grass of Parnassus (1888--92). His anthropology and his defense of the value of folklore as the basis of religion is expressed in his works Custom and Myth (1884), Myth, Ritual and Religion (1887), and The Making of Religion (1898). He also translated Homer and critiqued James G. Frazer's views of mythology as expressed in The Golden Bough. He was considered a good historian, with a readable narrative style and knowledge of the original sources including his works A History of Scotland (1900-7), James VI and the Gowrie Mystery (1902), and Sir George Mackenzie (1909). He was one of the most important collectors of folk and fairy tales. His collections of Fairy books, including The Blue Fairy Book, preserved and handed down many of the better-known folk tales from the time. He died of angina pectoris on July 20, 1912.

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