SELECTIONS FOR READING Defoe. Life, by Minto (E. M. of L.), by William Lee. L. Stephen, in Hours in a Library. 199 Essay by Richardson. Life, by Thomson, by Dobson. Essays, by L. Stephen, in Hours in a Library; by Dobson, in Eighteenth Century Vignettes. Fielding. Life, by Dobson (E. M. of L.). Lawrence, Life and Times of Fielding. Essays by Lowell, L. Stephen, Dobson; Thackeray, in English Humorists; G. B. Smith, in Poets and Novelists. Fiction. Thackeray, Henry Esmond, and The Virginians; Scott, Guy Mannering, Rob Roy, Heart of Midlothian, Redgauntlet; Reade, Peg Woffington. CHAPTER VII THE EARLY NINETEENTH CENTURY Two voices are there; one is of the sea, Wordsworth," Sonnet to Switzerland" The many changes recorded in the political and literary history of nineteenth-century England may be grouped under two heads: the progress of democracy in government, and the triumph of romanticism in literature. By democracy we mean the assumption by common men of the responsibilities of government, with a consequent enlargement of human liberty. Romanticism, as we use the term here, means simply that literature, like politics, has become liberalized; that it is concerned with the common life of men, and that the delights of literature, like the powers of government, are no longer the possession of the few but of the many. Historical Outline. To study either democracy or romanticism, the Whig party or the poetry of Wordsworth, is to discover how greatly England was influenced by matters that appeared beyond her borders. The famous Reform Bill (1832) which established manhood suffrage, the emancipation of the slaves in all British colonies, the hard-won freedom of the press, the plan of popular education, these and numberless other reforms of the age may be regarded as part of a general movement, as the attempt to fulfill in England a promise made to the world by two events which occurred earlier and on foreign soil. These two events, which profoundly influenced English politics and literature, were the Declaration of Independence and the French Revolution. Two THE PERIOD OF REVOLUTION 201 In the Declaration we read, "We hold these truths to be selfevident that all men are created equal; that they are endowed by their Creator with certain unalienable rights; that among Revolutions these are life, liberty and the pursuit of happiness." Glorious words! But they were not new; they were old and familiar when Jefferson wrote them. The American Revolution, which led up to the Declaration, is especially significant in this: that it began as a struggle not for new privileges but for old rights. So the constructive character of that Revolution, which ended with a democracy and a noble constitution, was due largely to the fact that brave men stood ready to defend the old freedom, the old manhood, the old charters, "the good old cause "for which other brave men had lived or died through a thousand years. A little later, and influenced by the American triumph, came another uprising of a different kind. In France the unalienable rights of man had been forgotten during ages of tyranny and class privilege; so the French Revolution, shouting its watchwords of Liberty, Equality, Fraternity, had no conception of that liberty and equality which were as ancient as the hills. Leaders and followers of the Revolution were clamoring for new privileges, new rights, new morals, new creeds. They acclaimed an Age of Reason as a modern and marvelous discovery; they dreamed not simply of a new society, but of a new man. A multitude of clubs or parties, some political, some literary or educational, some with a pretense of philosophy, sprang up as if by magic, all believing that they must soon enter the Kingdom of Heaven, but nearly all forgetful of the fact that to enter the Kingdom one must accept the old conditions, and pay the same old price. Partly because of this strange conception of liberty, as a new thing to be established by fiat, the terrible struggle in France ended in the ignoble military despotism of Napoleon. These two revolutions, one establishing and the other clamoring for the dignity of manhood, created a mighty stir throughout the civilized Effect of the world. Following the French Revolution, most European Revolutions nations were thrown into political ferment, and the object of all their agitation, rebellion, upheaval, was to obtain a greater measure of democracy by overturning every form of class or caste government. Thrones seemed to be tottering, and in terror of their houses Continental sovereigns entered into their Holy Alliance (1815) with the unholy object of joining forces to crush democracy wherever it appeared. The Revolution and Literature. The young writers of liberty-loving England felt the stir, the sursum of the age. Wordsworth, most sedate of men, saw in the French Revolution a glorious prophecy, and wrote with unwonted enthusiasm: Bliss was it in that dawn to be alive, But to be young was very Heaven. Coleridge and Southey formed their grand scheme of a Pantisocracy, a government of perfect equality, on the banks of the Susquehanna. Scott (always a Tory, and therefore distrustful of change) reflected the democratic enthusiasm in a score of romances, the chief point of which was this: that almost every character was at heart a king, and spake in right kingly fashion. Byron won his popularity largely because he was an uncompromising rebel, and appealed to young rebels who were proclaiming the necessity of a new human society. And Shelley, after himself rebelling at almost every social law of his day, wrote his Prometheus Unbound, which is a vague but beautiful vision of humanity redeemed in some magical way from all oppression and sorrow. All these and other writers of the age give the impression, as we read them now, that they were gloriously expectant of a new day of liberty that was about to dawn on the world. Their romantic enthusiasm, so different from the cold formality of the age preceding, is a reflection, like a rosy sunset-glow, of the stirring scenes of revolution through which the world had just passed. WILLIAM WORDSWORTH (1770-1850) There is but one way to know Wordsworth, and that way leads to his nature poems. Though he lived in a revolutionary age, his life was singularly uneventful. His letters are terribly prosaic; and his Excursion, in which he attempted an autobiography, has so many dull lines that few have patience to read it. Though he asserted, finely, that there is but one great LIFE OF WORDSWORTH 203 society on earth, "the noble living and the noble dead," he held no communion with the great minds of the past or of the present. He lived in his own solitary world, and his only real companion was nature. To know nature at first hand, and to reflect human thought or feeling in nature's pure presence,this was his chief object. His field, therefore, is a small one, but in that field he is the greatest master that England has thus far produced. Life. Wordsworth is as inseparably connected with the English Lake District as Burns with the Lowlands or Scott with the Border. A large part of the formative period of his life was spent out of doors amid beautiful scenery, where he felt the abounding life of nature streaming upon him in the sunshine, or booming in his ears with the steady roar of the March winds. He felt also (what sensitive spirits still feel) a living presence that met him in the loneliest wood, or spoke to him in the flowers, or preceded him over the wind-swept WILLIAM WORDSWORTH hills. He was one of those favored mortals who are surest of the Unseen. From school he would hurry away to his skating or birdnesting or aimless roaming, and every new day afield was to him "One of those heavenly days that cannot die." From the Lake Region he went to Cambridge, but found little in college life to attract or hold him. Then, stirred by the promise of the Revolution, he went to France, where his help was eagerly sought by rival parties; for in that day every traveler from America or England, whether an astute Jefferson or a lamblike Wordsworth, was supposed |