(Yet though life's logic grow as gray As thou, my soul's not in eclipse.) Cold Cloud, but yesterday Thy lightning slew a child at play, And then a priest with prayers upon his lips For his enemies, and then a bright Lady that did but ope the door Upon the storming night To let a beggar in,-strange spite,- Till thy quick torch a barn had burned Which done, thy floods with winds returned,— What myriad righteous errands high Thou slewest the child, oh why Not rather slay Calamity, Breeder of Pain and Doubt, infernal Power? Or why not plunge thy blades about Swarming to parcel out The body of a land, and rout The maw-conventicle, and ungorge Wrong? What the cloud doeth The Lord knoweth, The cloud knoweth not. Knoweth the artist not? Well-answered!-O dear artists, ye Say wrong This work is not of me, Awful is Art because 'tis free. Who made a song or picture, he My Lord is large, my Lord is strong: How poor, how strange, how wrong, I made to Him with love's unforced design! Oh, not as clouds dim laws have plann'd Oh, not as harps that stand In the wind and sound the wind's command: Each artist-gift of terror !-owns his will. For thee, Cloud,—if thou spend thine all That needs thee not; or crawl To the dry provinces, and fall Till every convert clod shall give to thee Green worship; if thou grow or fade, Bring on delight or misery, Fly east or west, be made Snow, hail, rain, wind, grass, rose, light, shade What matters it to thee? There is no thee. Pass, kinsman Cloud, now fair and mild : But work, as plays a little child, Sure of the Father, Self, and Love, alone. BALTIMORE, 1878-9. III. MARSH SONG-AT SUNSET. OVER the monstrous shambling sea, Over the Caliban sea, Bright Ariel-cloud, thou lingerest: Oh wait, oh wait, in the warm red West,- Over the humped and fishy sea, Over the Caliban sea O cloud in the West, like a thought in the heart And do a grace for me. Over the huge and huddling sea, Over the Caliban sea, Bring hither my brother Antonio,-Man,— My injurer: night breaks the ban : Brother, I pardon thee. BALTIMORE, 1879-80. IV. THE MARSHES OF GLYNN. GLOOMS of the live-oaks, beautiful-braided and woven Virginal shy lights, Wrought of the leaves to allure to the whisper of vows, When lovers pace timidly down through the green colon nades Of the dim sweet woods, of the dear dark woods, Of the heavenly woods and glades, That run to the radiant marginal sand-beach within Beautiful glooms, soft dusks in the noon-day fire,- Chamber from chamber parted with wavering arras of leaves, Cells for the passionate pleasure of prayer to the soul that grieves, Pure with a sense of the passing of saints through the wood, Cool for the dutiful weighing of ill with good ; O braided dusks of the oak and woven shades of the vine, While the riotous noon-day sun of the June-day long did shine Ye held me fast in your heart and I held you fast in mine; But now when the noon is no more, and riot is rest, Ay, now, when my soul all day hath drunken the soul of the oak, And my heart is at ease from men, and the wearisome sound of the stroke Of the scythe of time and the trowel of trade is low, And belief overmasters doubt, and I know that I know, And my spirit is grown to a lordly great compass within, That the length and the breadth and the sweep of the marshes of Glynn Will work me no fear like the fear they have wrought me of yore When length was fatigue, and when breadth was but bitter ness sore, And when terror and shrinking and dreary unnamable pain Drew over me out of the merciless miles of the plain,— Oh, now, unafraid, I am fain to face The vast sweet visage of space. To the edge of the wood I am drawn, I am drawn, Where the gray beach glimmering runs, as a belt of the dawn, For a mete and a mark To the forest-dark : So: Affable live-oak, leaning low,— Thus with your favor-soft, with a reverent hand, On the firm-packed sand, Free By a world of marsh that borders a world of sea. |