The Artistry of Shakespeare's ProseMethuen, 1968 - 452 psl. |
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Rezultatai 1–3 iš 85
30 psl.
... stage , the train- ing in observation of the figures in any piece of literature one happens to be studying . Susenbrotus himself had urged that ' tropes and schemes must especially be pointed out while ex- pounding ' , and the ...
... stage , the train- ing in observation of the figures in any piece of literature one happens to be studying . Susenbrotus himself had urged that ' tropes and schemes must especially be pointed out while ex- pounding ' , and the ...
221 psl.
... stage ( perhaps behind the curtain covering whatever inner space was used on the Elizabethan stage ) as if in a dark room , with Feste pretending to be Sir Topas and later having a dialogue with himself : here the visual comedy is ...
... stage ( perhaps behind the curtain covering whatever inner space was used on the Elizabethan stage ) as if in a dark room , with Feste pretending to be Sir Topas and later having a dialogue with himself : here the visual comedy is ...
241 psl.
... stage by stage it may be best to set it out in all its skeletal purity , with the ' heads ' of the argument numbered : 1. Romans , countrymen , and lovers , hear me for my cause , and be silent , that you may hear . Believe me for mine ...
... stage by stage it may be best to set it out in all its skeletal purity , with the ' heads ' of the argument numbered : 1. Romans , countrymen , and lovers , hear me for my cause , and be silent , that you may hear . Believe me for mine ...
Turinys
Shakespeares Use of Prose I | 1 |
A Critical Method | 19 |
From Clown to Character | 52 |
Autorių teisės | |
Nerodoma skirsnių: 6
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Pagrindiniai terminai ir frazės
abuse action antimetabole Apemantus applied argument Armado attitude Autolycus bawdy Beatrice begins Benedick Bertram Cassio character Claudio clauses clown comedy comic contrast Coriolanus Cressida deflating detail device disguise Dogberry dramatic Duke effect Elizabethan emotional epistrophe equivocation Euphuism Falstaff figure final fool give given Gobbo grotesque Hal's Hamlet hath honour humour Iago Iago's imagery images ironic isocolon King lady Lafeu language Lear logic lord Love's Labour's Lost Lucio ludicrous madness malapropism Malvolio meaning metaphor Mistress mock mockery mood nature Olivia Othello Pandarus parallel Parolles pattern piece play plot Polonius Pompey Prince prose puns repartee repetition rhetorical structure Roderigo Romance Rosalind scene seems seen serious servant Shake Shakespeare Shylock significant situation soliloquy speak specious speech stage style stylistic syllogism symmetries syntax thee Thersites thou Timon Toby Touchstone tragedy trap Troilus Troilus and Cressida Twelfth Night verse witty words