The Artistry of Shakespeare's ProseMethuen, 1968 - 452 psl. |
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Rezultatai 1–3 iš 78
128 psl.
... Once again the symmetry of the patterns reinforces the realiza- tion that Falstaff is putting on the style , and here , as in Part One , at the height of his pretence he is made to quote from Euphues , this time with even more point ...
... Once again the symmetry of the patterns reinforces the realiza- tion that Falstaff is putting on the style , and here , as in Part One , at the height of his pretence he is made to quote from Euphues , this time with even more point ...
204 psl.
... once in the forest of Arden all are given prose except for occasional promotions to dignity ( Orlando begging protection for Adam , II , vii , and writing poetry to Rosalind , III , ii ; she and Celia when involved in more romantic ...
... once in the forest of Arden all are given prose except for occasional promotions to dignity ( Orlando begging protection for Adam , II , vii , and writing poetry to Rosalind , III , ii ; she and Celia when involved in more romantic ...
402 psl.
... Once back to this normal level , it is less disturbing to find them suddenly converted from Elder Statesmen to servants : " They are rising , they are rising ' ' In , in , in ! ' This small scene is another demonstration of Shake ...
... Once back to this normal level , it is less disturbing to find them suddenly converted from Elder Statesmen to servants : " They are rising , they are rising ' ' In , in , in ! ' This small scene is another demonstration of Shake ...
Turinys
Shakespeares Use of Prose I | 1 |
A Critical Method | 19 |
From Clown to Character | 52 |
Autorių teisės | |
Nerodoma skirsnių: 6
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
abuse action antimetabole Apemantus applied argument Armado attitude Autolycus bawdy Beatrice begins Benedick Bertram Cassio character Claudio clauses clown comedy comic contrast Coriolanus Cressida deflating detail device disguise Dogberry dramatic Duke effect Elizabethan emotional epistrophe equivocation Euphuism Falstaff figure final fool give given Gobbo grotesque Hal's Hamlet hath honour humour Iago Iago's imagery images ironic isocolon King lady Lafeu language Lear logic lord Love's Labour's Lost Lucio ludicrous madness malapropism Malvolio meaning metaphor Mistress mock mockery mood nature Olivia Othello Pandarus parallel Parolles pattern piece play plot Polonius Pompey Prince prose puns repartee repetition rhetorical structure Roderigo Romance Rosalind scene seems seen serious servant Shake Shakespeare Shylock significant situation soliloquy speak specious speech stage style stylistic syllogism symmetries syntax thee Thersites thou Timon Toby Touchstone tragedy trap Troilus Troilus and Cressida Twelfth Night verse witty words