The Theology of Modern FictionC.H. Kelly, 1896 - 192 psl. |
Kiti leidimai - Peržiūrėti viską
The Theology of Modern Fiction– Being the Twenty-sixth Fernley Lecture ... Thomas Gunn Selby Visos knygos peržiūra - 1896 |
Pagrindiniai terminai ir frazės
Adam Bede amongst Angel Clare Arabella Arthur Dimmesdale Arthur Donnithorne Baldassarre Calvinism character child Christ Christian Church clergyman confession conscience D'Urberville dark death delineations Dinah divine Fatherhood doctrine ethical Evangelical evil eyes face fact faith Farebrother father feel Felix Holt fiction forces George Eliot George Mac Donald girl God's Godfrey Cass grace Hardy's heart Hester Hetty Sorrel hope Hopgood human husband influence instincts Jude Jude the Obscure light live look Maggie Mark Rutherford marriage Middlemarch mind minister moral sense motives mystery Nathaniel Hawthorne Nature never pain painted passion past perhaps philosophy pity poor punishment religion religious remorse retribution righteousness Robert Falconer Roger Chillingworth Romola salvation says scarcely scene secret seems Silas Marner soul spirit story sympathy tell temper Tess theology things Thomas Hardy thought tion Tito torture Transome truth victim Wessex whilst woman writers wrong young
Populiarios ištraukos
54 psl. - There is a terrible coercion in our deeds which may first turn the honest man into a deceiver, and then reconcile him to the change ; for this reason — that the second wrong presents itself to him in the guise of the only practicable right.
113 psl. - Haggard Egdon appealed to a subtler and scarcer instinct, to a more recently learnt emotion, than that which responds to the sort of beauty called charming and fair.
19 psl. - I've seen behind it. The only failure a man ought to fear is failure in cleaving to the purpose he sees to be best.
113 psl. - The time seems near, if it has not actually arrived, when the chastened sublimity of a moor, a sea, or a mountain will be all of nature that is absolutely in keeping with the moods of the more thinking among mankind.
18 psl. - We can't choose happiness either for ourselves or for another : we can't tell where that will lie. We can only choose whether we will indulge ourselves in the present moment, or whether we will renounce that, for the sake of obeying the divine voice within us — for the sake of being true to . all the motives that sanctify our lives.
24 psl. - He was at a starting-point which makes many a man's career a fine subject for betting, if there were any gentlemen given to that amusement who could appreciate the complicated probabilities of an arduous purpose, with all the possible thwartings and furtherings of circumstance, all the niceties of inward balance, by which a man swims and makes his point or else is carried headlong.
108 psl. - The trees have inquisitive eyes, haven't they? - that is, seem as if they had. And the river says, - "Why do ye trouble me with your looks?" And you seem to see numbers of tomorrows just all in a line, the first of them the biggest and clearest, the others getting smaller and smaller as they stand farther away; but they all seem very fierce and cruel and as if they said, "I'm coming! Beware of me! Beware of me!
56 psl. - ... unbelief in each other can subsist in the presence of a great calamity, when all the artificial vesture of our life is gone, and we are all one with each other in primitive mortal needs ? Vaguely, Maggie felt this. — in the strong resurgent love towards her brother, that swept away all the later impressions of hard, cruel offence and misunderstanding, and left only the deep, underlying, unshakable memories of early union.
30 psl. - Having once begun to explain away Baldassarre's claim, Tito's thought showed itself as active as a virulent acid, eating its rapid way through all the tissues of sentiment. His mind was destitute of that dread which has been erroneously decried as if it were nothing higher than a man's animal care for his own skin : that awe...
115 psl. - But this encompassment of her own characterization, based on shreds of convention, peopled by phantoms and voices antipathetic to her, was a sorry and mistaken creation of Tess's fancy a cloud of moral hobgoblins by which she was terrified without reason.