Works, 3 tomasWorthington Company, 1892 |
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1 psl.
... REMARKS , A HISTORICAL SKETCH OF THE TEXT , AN ACCOUNT OF THE RISE AND PROGRESS OF THE ENGLISH DRAMA , A MEMOIR OF THE POET . AND AN ESSAY UPON HIS GENIUS BY RICHARD GRANT WHITE VOL . V. NEW YORK WORTHINGTON COMPANY 747 BROADWAY HARVARD ...
... REMARKS , A HISTORICAL SKETCH OF THE TEXT , AN ACCOUNT OF THE RISE AND PROGRESS OF THE ENGLISH DRAMA , A MEMOIR OF THE POET . AND AN ESSAY UPON HIS GENIUS BY RICHARD GRANT WHITE VOL . V. NEW YORK WORTHINGTON COMPANY 747 BROADWAY HARVARD ...
7 psl.
... remark is made in the full confidence that no one except its author will adopt Mr. Hunter's notion that Love's Labour's Won was the original name of The Tempest ; -the labors being the log - piling task set by Prospero to Fer dinand ...
... remark is made in the full confidence that no one except its author will adopt Mr. Hunter's notion that Love's Labour's Won was the original name of The Tempest ; -the labors being the log - piling task set by Prospero to Fer dinand ...
8 psl.
... Remarks upon the play , in which the in- teresting question of this marked difference of style in various parts of the same work is presented with such delicacy of appre- hension and clearness of statement that his successors cannot do ...
... Remarks upon the play , in which the in- teresting question of this marked difference of style in various parts of the same work is presented with such delicacy of appre- hension and clearness of statement that his successors cannot do ...
9 psl.
... remarked as being comparatively of a gray and sober hue , uncolored by those rainbow tints of fancy , or fiercely bright flashes of passion , that give such diversity of splendor to many other dramas . The reason of this cannot be that ...
... remarked as being comparatively of a gray and sober hue , uncolored by those rainbow tints of fancy , or fiercely bright flashes of passion , that give such diversity of splendor to many other dramas . The reason of this cannot be that ...
10 psl.
... remark that both the French officers who figure in this play as 1 Lord and 2 Lord are , somewhat strangely , named Dumain , and that in Love's Labour's Lost , Dumain is also the name of that one of the three attendants and brothers in ...
... remark that both the French officers who figure in this play as 1 Lord and 2 Lord are , somewhat strangely , named Dumain , and that in Love's Labour's Lost , Dumain is also the name of that one of the three attendants and brothers in ...
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art thou Aumerle Bardolph Bast blood Boling Bolingbroke brother Camillo Clown Collier's folio Count cousin death dost doth Duke England Enter Exeunt Exit eyes fair faith Falstaff Farewell father Faulconbridge fear fool friends Gaunt give grace grief hand hath hear heart Heaven Henry honour Illyria King John knave lady Leon look lord Love's Labour's Lost Madam Majesty Malvolio marry Master means misprint never night noble Northumberland Note old copies original Pandosto passage peace Percy play Pointz pr'ythee pray Prince quarto Queen Rich Richard Rousillon SCENE Shakespeare Shal shew Sir ANDREW AGUE-CHEEK Sir John Sir John Falstaff Sir Toby soul speak speech Steevens swear sweet tale tell thee there's thine thou art thou hast thought tongue Twelfth Night Winter's Tale word