The Complete Works of Ralph Waldo Emerson: Essays, 2d seriesHoughton, Mifflin, 1876 |
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... . EXPERIENCE PAGE I 43 III . CHARACTER IV . MANNERS V. GIFTS 87 117 157 VI . NATURE 167 VII . POLITICS t 197 VIII . NOMINALIST AND REALIST 223 IX . NEW ENGLAND REFORMERS 249 NOTES 287 159634 I THE POET A MOODY child and wildly wise Pursued.
... . EXPERIENCE PAGE I 43 III . CHARACTER IV . MANNERS V. GIFTS 87 117 157 VI . NATURE 167 VII . POLITICS t 197 VIII . NOMINALIST AND REALIST 223 IX . NEW ENGLAND REFORMERS 249 NOTES 287 159634 I THE POET A MOODY child and wildly wise Pursued.
4 psl.
... manner of living , and to write poems from the fancy , at a safe distance from their own experience . ' But the highest minds of the world have never ceased to explore the double meaning , or shall I 2 say the quadruple or the centuple ...
... manner of living , and to write poems from the fancy , at a safe distance from their own experience . ' But the highest minds of the world have never ceased to explore the double meaning , or shall I 2 say the quadruple or the centuple ...
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... him is expressed , but alter idem , in a manner totally new . The expres- sion is organic , or the new type which things themselves take when liberated . As , in the sun , objects paint their images on the retina of 24 THE POET.
... him is expressed , but alter idem , in a manner totally new . The expres- sion is organic , or the new type which things themselves take when liberated . As , in the sun , objects paint their images on the retina of 24 THE POET.
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... manner we can stimulate this instinct , new passages are opened for us into nature ; the mind flows into and through things hardest and highest , and the metamorphosis is possible . This is the reason why bards love wine , mead ...
... manner we can stimulate this instinct , new passages are opened for us into nature ; the mind flows into and through things hardest and highest , and the metamorphosis is possible . This is the reason why bards love wine , mead ...
29 psl.
... manner of dolls , drums and horses ; withdraw- ing their eyes from the plain face and sufficing objects of nature , the sun and moon , the animals , the water and stones , which should be their toys . So the poet's habit of living ...
... manner of dolls , drums and horses ; withdraw- ing their eyes from the plain face and sufficing objects of nature , the sun and moon , the animals , the water and stones , which should be their toys . So the poet's habit of living ...
Kiti leidimai - Peržiūrėti viską
The Complete Works of Ralph Waldo Emerson: Essays, 2d series Ralph Waldo Emerson Visos knygos peržiūra - 1903 |
The Complete Works of Ralph Waldo Emerson: Essays, 2d series Ralph Waldo Emerson Visos knygos peržiūra - 1903 |
The Complete Works of Ralph Waldo Emerson: Essays, 2d series Ralph Waldo Emerson Visos knygos peržiūra - 1903 |
Pagrindiniai terminai ir frazės
action animal Antinomians appear beauty begin to hope believe Boston Brook Farm character church conversation Dæmon divine earth Emerson England essay Eumenides experience expression eyes fact faith fancy fashion feel flowers force Fruitlands genius gentleman gift give gods heart heaven Heracleitus hour individual intellect James Naylor John Sterling labor Lectures and Biographical live look Lord man's manners ment mind moral morning natura naturata nature never NOMINALIST numbers object party passage persons phrenology Plato Plotinus Plutarch Poems poet poetry politics poor present Proclus Pythagoras RALPH WALDO EMERSON reform religion rich Samuel Hoar secret seems sense sentiment society soul speak spirit stand stars symbol talent thee things thou thought tion truth universal virtue whilst whole wise wonder words write
Populiarios ištraukos
9 psl. - For, it is not metres, but a metre-making argument, that makes a poem, — a thought so passionate and alive, that, like the spirit of a plant or an animal, it has an architecture of its own, and adorns nature with a new thing.
173 psl. - He who knows the most, he who knows what sweets and virtues are in the ground, the waters, the plants, the heavens, and how to come at these enchantments, is the rich and royal man.
27 psl. - As the traveller who has lost his way, throws his reins on his horse's neck, and trusts to the instinct of the animal to find his road, so must we do with the divine animal who carries us through this world.
216 psl. - We think our civilization near its meridian, but we are yet only at the cock-crowing and the morning star. In our barbarous society the influence of character is in its infancy. As a political power, as the rightful lord who is to tumble all rulers from their chairs, its presence is hardly yet suspected. Malthus and Ricardo quite omit it ; the Annual Register is silent ; in the Conversations...
6 psl. - The poet is the person in whom these powers are in balance, the man without impediment, who sees and handles that which others dream of, traverses the whole scale of experience, and is representative of man, in virtue of being the largest power to receive and to impart.
42 psl. - And this is the reward; that the ideal shall be real to thee, and the impressions of the actual world shall fall like summer rain, copious, but not troublesome to thy invulnerable essence.
147 psl. - And as we show beyond that Heaven and Earth In form and shape compact and beautiful, In will, in action free, companionship, And thousand other signs of purer life ; So on our heels a fresh perfection treads, A power more strong in beauty, born of us And fated to excel us, as we pass In glory that old Darkness: nor are we Thereby more conquer'd than by us the rule Of shapeless Chaos.
7 psl. - The poet is the sayer, the namer, and represents beauty. He is a sovereign, and stands on the centre. For the world is not painted, or adorned, but is from the beginning beautiful ; and God has not made some beautiful things, but Beauty is the creator of the universe.
25 psl. - A rhyme in one of our sonnets should not be less pleasing than the iterated nodes of a seashell, or the resembling difference of a group of flowers.
65 psl. - Human life is made up of the two elements, power and form, and the proportion must be invariably kept, if we would have it sweet and sound.