The Complete Works of Ralph Waldo Emerson: Essays. 2d seriesHoughton Mifflin, 1876 |
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Ralph Waldo Emerson Edward Waldo Emerson. COPYRIGHT , 1876 BY RALPH WALDO EMERSON COPYRIGHT , 1883 AND 1903 , BY EDWARD W. EMERSON ALL RIGHTS RESERVED I. THE POET CONTENTS II . EXPERIENCE PAGE I 43.
Ralph Waldo Emerson Edward Waldo Emerson. COPYRIGHT , 1876 BY RALPH WALDO EMERSON COPYRIGHT , 1883 AND 1903 , BY EDWARD W. EMERSON ALL RIGHTS RESERVED I. THE POET CONTENTS II . EXPERIENCE PAGE I 43.
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Ralph Waldo Emerson Edward Waldo Emerson. I. THE POET CONTENTS II . EXPERIENCE PAGE I 43 III . CHARACTER IV . MANNERS V. GIFTS 87 117 157 VI . NATURE 167 VII . POLITICS t 197 VIII . NOMINALIST AND REALIST 223 IX . NEW ENGLAND REFORMERS 249 ...
Ralph Waldo Emerson Edward Waldo Emerson. I. THE POET CONTENTS II . EXPERIENCE PAGE I 43 III . CHARACTER IV . MANNERS V. GIFTS 87 117 157 VI . NATURE 167 VII . POLITICS t 197 VIII . NOMINALIST AND REALIST 223 IX . NEW ENGLAND REFORMERS 249 ...
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... pages of either of them languidly , whilst I still cherish their genius . So with pictures ; each will bear an emphasis of attention once , which it cannot retain , though we fain would continue to be pleased in that manner . How ...
... pages of either of them languidly , whilst I still cherish their genius . So with pictures ; each will bear an emphasis of attention once , which it cannot retain , though we fain would continue to be pleased in that manner . How ...
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... pages thus written are to him burning and fragrant ; he reads them on his knees by mid- night and by the morning star ; he wets them with his tears ; they are sacred ; too good for the world , and hardly yet to be shown to the dearest ...
... pages thus written are to him burning and fragrant ; he reads them on his knees by mid- night and by the morning star ; he wets them with his tears ; they are sacred ; too good for the world , and hardly yet to be shown to the dearest ...
293 psl.
... Page 4 , note 1. In " Literary Ethics " in Nature , Ad- dresses and Lectures , early in its second division , is an inter- esting passage showing how Emerson , when he came from his studies in classic poetry to the wild woods , found ...
... Page 4 , note 1. In " Literary Ethics " in Nature , Ad- dresses and Lectures , early in its second division , is an inter- esting passage showing how Emerson , when he came from his studies in classic poetry to the wild woods , found ...
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The Complete Works of Ralph Waldo Emerson: Essays, 2d series Ralph Waldo Emerson Visos knygos peržiūra - 1903 |
The Complete Works of Ralph Waldo Emerson: Essays, 2d series Ralph Waldo Emerson Visos knygos peržiūra - 1903 |
The Complete Works of Ralph Waldo Emerson: Essays, 2d series Ralph Waldo Emerson Visos knygos peržiūra - 1903 |
Pagrindiniai terminai ir frazės
action animal Antinomians appear beauty begin to hope believe Boston Brook Farm character church conversation Dæmon divine earth Emerson England essay Eumenides experience expression eyes fact faith fancy fashion feel flowers force Fruitlands genius gentleman gift give heart heaven Heracleitus hour individual intellect James Naylor John Sterling labor Lectures and Biographical live look Lord man's manners ment mind moral morning natura naturata nature never NOMINALIST numbers object party passage persons philosophy phrenology Plato Plotinus Plutarch Poems poet poetry politics poor present Proclus Pythagoras RALPH WALDO EMERSON reform religion rich Samuel Hoar secret seems sense sentiment society soul speak spirit stand stars symbol talent thee things thou thought tion truth universal virtue whilst whole wise wonder words write
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9 psl. - For, it is not metres, but a metre-making argument, that makes a poem, — a thought so passionate and alive, that, like the spirit of a plant or an animal, it has an architecture of its own, and adorns nature with a new thing.
173 psl. - He who knows the most, he who knows what sweets and virtues are in the ground, the waters, the plants, the heavens, and how to come at these enchantments, is the rich and royal man.
27 psl. - As the traveller who has lost his way, throws his reins on his horse's neck, and trusts to the instinct of the animal to find his road, so must we do with the divine animal who carries us through this world.
216 psl. - We think our civilization near its meridian, but we are yet only at the cock-crowing and the morning star. In our barbarous society the influence of character is in its infancy. As a political power, as the rightful lord who is to tumble all rulers from their chairs, its presence is hardly yet suspected. Malthus and Ricardo quite omit it ; the Annual Register is silent ; in the Conversations...
6 psl. - The poet is the person in whom these powers are in balance, the man without impediment, who sees and handles that which others dream of, traverses the whole scale of experience, and is representative of man, in virtue of being the largest power to receive and to impart.
42 psl. - And this is the reward; that the ideal shall be real to thee, and the impressions of the actual world shall fall like summer rain, copious, but not troublesome to thy invulnerable essence.
147 psl. - And as we show beyond that Heaven and Earth In form and shape compact and beautiful, In will, in action free, companionship, And thousand other signs of purer life ; So on our heels a fresh perfection treads, A power more strong in beauty, born of us And fated to excel us, as we pass In glory that old Darkness: nor are we Thereby more conquer'd than by us the rule Of shapeless Chaos.
7 psl. - The poet is the sayer, the namer, and represents beauty. He is a sovereign, and stands on the centre. For the world is not painted, or adorned, but is from the beginning beautiful ; and God has not made some beautiful things, but Beauty is the creator of the universe.
25 psl. - A rhyme in one of our sonnets should not be less pleasing than the iterated nodes of a seashell, or the resembling difference of a group of flowers.
65 psl. - Human life is made up of the two elements, power and form, and the proportion must be invariably kept, if we would have it sweet and sound.