Shakespeare's Tragic SequenceBarnes & Noble Books, 1979 - 207 psl. The emphasis of this book is that each of Shakespeare's tragedies demanded its own individual form and that although certain themes run through most of the tragedies, nearly all critics refrain from the attempt to apply external rules to them. |
Knygos viduje
Rezultatai 1–3 iš 21
38 psl.
... Thee here in dark to be his paramour ? For fear of that I still will stay with thee And never from this palace of dim night Depart again . The imagery can therefore be used in support of either of the main interpretations of the play ...
... Thee here in dark to be his paramour ? For fear of that I still will stay with thee And never from this palace of dim night Depart again . The imagery can therefore be used in support of either of the main interpretations of the play ...
66 psl.
... thee , That no revenue hast but thy good spirits To feed and clothe thee ? Why should the poor be flatter'd ? No , let the candied tongue lick absurd pomp , And crook the pregnant hinges of the knee Where thrift may follow fawning ...
... thee , That no revenue hast but thy good spirits To feed and clothe thee ? Why should the poor be flatter'd ? No , let the candied tongue lick absurd pomp , And crook the pregnant hinges of the knee Where thrift may follow fawning ...
161 psl.
... thee up And set thee by Jove's side- and by her hyperbolical portrait of Antony to Dolabella : His face was as the heavens ; and therein stuck A sun and moon , which kept their course and lighted The little O , the earth ... His legs ...
... thee up And set thee by Jove's side- and by her hyperbolical portrait of Antony to Dolabella : His face was as the heavens ; and therein stuck A sun and moon , which kept their course and lighted The little O , the earth ... His legs ...
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
action actor Antony's appears argued audience avenger Banquo behaviour Bolingbroke Bradley Brutus Caesar Cassio cause character Claudius Coleridge confesses conscience contrast Cordelia Coriolanus critics death declares deed Desdemona devil doth dramatic dramatist Edgar Elizabethan evil father fear feeling fool Fortinbras Gertrude Ghost Gloucester gods Goneril Guildenstern guilt Hamlet hates hath heart heaven hell Horatio horror Iago Iago's imagery images jealous kill King Lear L. C. Knights Lady Macbeth Laertes Lear's lovers Menenius merely mind moral motive murder nature night noble Ophelia Othello passion play Plutarch poet Polonius Professor Queen realise Regan regarded revealed revenge Richard Richard II Roderigo Roman Rome Romeo and Juliet Rosencrantz says scene Shake Shakespeare Shakespearian soliloquy soul speaks speech spirit stage suggested suicide tells thee thou thought Timon Timon of Athens Titus Andronicus tragedies tragic hero true villain virtue wife Wilson Knight words
Šią knygą minintys šaltiniai
Hamlet, Protestantism, and the Mourning of Contingency– Not to be John E. Curran Trumpų ištraukų rodinys - 2006 |