Shakespeare's Tragic SequenceBarnes & Noble Books, 1979 - 207 psl. The emphasis of this book is that each of Shakespeare's tragedies demanded its own individual form and that although certain themes run through most of the tragedies, nearly all critics refrain from the attempt to apply external rules to them. |
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Rezultatai 1–3 iš 40
33 psl.
... speech on his banishment or by a score of Richard's speeches in the second half of the play . But as Professor Altick and others have shown , 20 Shakespeare , in the plays written about this time , began to use imagery in a much more ...
... speech on his banishment or by a score of Richard's speeches in the second half of the play . But as Professor Altick and others have shown , 20 Shakespeare , in the plays written about this time , began to use imagery in a much more ...
40 psl.
... speech . Some of the lines , considered in isolation , hardly seem to fit into the pattern of the verse- Come Lammas Eve at night shall she be fourteen . . Sitting in the sun under the dovehouse wall- but in their contexts the verse ...
... speech . Some of the lines , considered in isolation , hardly seem to fit into the pattern of the verse- Come Lammas Eve at night shall she be fourteen . . Sitting in the sun under the dovehouse wall- but in their contexts the verse ...
72 psl.
... speech of any length spoken by Hamlet in this scene is his contrast between seeming and being . He admits that ' all forms , moods , shapes of grief ' can be feigned , For they are actions that a man might play . The speech links up ...
... speech of any length spoken by Hamlet in this scene is his contrast between seeming and being . He admits that ' all forms , moods , shapes of grief ' can be feigned , For they are actions that a man might play . The speech links up ...
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Pagrindiniai terminai ir frazės
action actor Antony's appears argued audience avenger Banquo behaviour Bolingbroke Bradley Brutus Caesar Cassio cause character Claudius Coleridge confesses conscience contrast Cordelia Coriolanus critics death declares deed Desdemona devil doth dramatic dramatist Edgar Elizabethan evil father fear feeling fool Fortinbras Gertrude Ghost Gloucester gods Goneril Guildenstern guilt Hamlet hates hath heart heaven hell Horatio horror Iago Iago's imagery images jealous kill King Lear L. C. Knights Lady Macbeth Laertes Lear's lovers Menenius merely mind moral motive murder nature night noble Ophelia Othello passion play Plutarch poet Polonius Professor Queen realise Regan regarded revealed revenge Richard Richard II Roderigo Roman Rome Romeo and Juliet Rosencrantz says scene Shake Shakespeare Shakespearian soliloquy soul speaks speech spirit stage suggested suicide tells thee thou thought Timon Timon of Athens Titus Andronicus tragedies tragic hero true villain virtue wife Wilson Knight words
Šią knygą minintys šaltiniai
Hamlet, Protestantism, and the Mourning of Contingency– Not to be John E. Curran Trumpų ištraukų rodinys - 2006 |