Shakespeare's Tragic SequenceBarnes & Noble Books, 1979 - 207 psl. The emphasis of this book is that each of Shakespeare's tragedies demanded its own individual form and that although certain themes run through most of the tragedies, nearly all critics refrain from the attempt to apply external rules to them. |
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Rezultatai 1–3 iš 23
147 psl.
... Macbeth claims that he dares ' do all that may become a man ' . Then , fourthly , Lady Macbeth steers the discussion away from ques- tions of principle to questions of method . She produces a plausible practical plan which will enable ...
... Macbeth claims that he dares ' do all that may become a man ' . Then , fourthly , Lady Macbeth steers the discussion away from ques- tions of principle to questions of method . She produces a plausible practical plan which will enable ...
149 psl.
... Macbeth may fear Banquo's revelation , or that just as he assassinated Duncan , so Banquo will assassinate him so that his descendants will become kings ; but it is also clear that stronger motives for the murder of Banquo are the ...
... Macbeth may fear Banquo's revelation , or that just as he assassinated Duncan , so Banquo will assassinate him so that his descendants will become kings ; but it is also clear that stronger motives for the murder of Banquo are the ...
151 psl.
... Macbeth story , so , we must assume , he makes Lady Macbeth a demo- niac . She believes that evil spirits can and do take possession of human beings . Shakespeare does not require his audience to believe this too . They can suppose that ...
... Macbeth story , so , we must assume , he makes Lady Macbeth a demo- niac . She believes that evil spirits can and do take possession of human beings . Shakespeare does not require his audience to believe this too . They can suppose that ...
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Pagrindiniai terminai ir frazės
action actor Antony's appears argued audience avenger Banquo behaviour Bolingbroke Bradley Brutus Caesar Cassio cause character Claudius Coleridge confesses conscience contrast Cordelia Coriolanus critics death declares deed Desdemona devil doth dramatic dramatist Edgar Elizabethan evil father fear feeling fool Fortinbras Gertrude Ghost Gloucester gods Goneril Guildenstern guilt Hamlet hates hath heart heaven hell Horatio horror Iago Iago's imagery images jealous kill King Lear L. C. Knights Lady Macbeth Laertes Lear's lovers Menenius merely mind moral motive murder nature night noble Ophelia Othello passion play Plutarch poet Polonius Professor Queen realise Regan regarded revealed revenge Richard Richard II Roderigo Roman Rome Romeo and Juliet Rosencrantz says scene Shake Shakespeare Shakespearian soliloquy soul speaks speech spirit stage suggested suicide tells thee thou thought Timon Timon of Athens Titus Andronicus tragedies tragic hero true villain virtue wife Wilson Knight words
Šią knygą minintys šaltiniai
Hamlet, Protestantism, and the Mourning of Contingency– Not to be John E. Curran Trumpų ištraukų rodinys - 2006 |