Shakespeare's Tragic SequenceBarnes & Noble Books, 1979 - 207 psl. The emphasis of this book is that each of Shakespeare's tragedies demanded its own individual form and that although certain themes run through most of the tragedies, nearly all critics refrain from the attempt to apply external rules to them. |
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119 psl.
... King Lear was Shakespeare's greatest work and this appears to be the view of most competent critics today . Professor Nicholas Brooke , for example , declares that it is ' supreme , even among tragedies ' and Professor ... King Lear 119.
... King Lear was Shakespeare's greatest work and this appears to be the view of most competent critics today . Professor Nicholas Brooke , for example , declares that it is ' supreme , even among tragedies ' and Professor ... King Lear 119.
139 psl.
... King Lear there are as many good characters as evil ones , that some of them become wiser and better in the course of the play , and that Edmund , at the end , attempts to avert the murder of Cordelia . We are made to feel ... King Lear 139.
... King Lear there are as many good characters as evil ones , that some of them become wiser and better in the course of the play , and that Edmund , at the end , attempts to avert the murder of Cordelia . We are made to feel ... King Lear 139.
187 psl.
... King Lear set aside unfinished ' , as an ' after vibration ' of King Lear , as a close neighbour of Troilus and Cressida— Apemantus echoing Thersites and as the last of the tragedies , the subject of which being suggested by the account ...
... King Lear set aside unfinished ' , as an ' after vibration ' of King Lear , as a close neighbour of Troilus and Cressida— Apemantus echoing Thersites and as the last of the tragedies , the subject of which being suggested by the account ...
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action actor Antony's appears argued audience avenger Banquo behaviour Bolingbroke Bradley Brutus Caesar Cassio cause character Claudius Coleridge confesses conscience contrast Cordelia Coriolanus critics death declares deed Desdemona devil doth dramatic dramatist Edgar Elizabethan evil father fear feeling fool Fortinbras Gertrude Ghost Gloucester gods Goneril Guildenstern guilt Hamlet hates hath heart heaven hell Horatio horror Iago Iago's imagery images jealous kill King Lear L. C. Knights Lady Macbeth Laertes Lear's lovers Menenius merely mind moral motive murder nature night noble Ophelia Othello passion play Plutarch poet Polonius Professor Queen realise Regan regarded revealed revenge Richard Richard II Roderigo Roman Rome Romeo and Juliet Rosencrantz says scene Shake Shakespeare Shakespearian soliloquy soul speaks speech spirit stage suggested suicide tells thee thou thought Timon Timon of Athens Titus Andronicus tragedies tragic hero true villain virtue wife Wilson Knight words
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Hamlet, Protestantism, and the Mourning of Contingency– Not to be John E. Curran Trumpų ištraukų rodinys - 2006 |