Elements of Criticism, 1 tomasJohn Bell and William Creech; and for T. Cadell, G. G. J. and J. Robinson, London, 1788 |
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25 psl.
... courfe . Elevation touches the mind no lefs A train of perceptions or ideas , with refpect to its u niformity and variety , is handled afterwards , chap . 9 . than than grandeur doth ; and in raising the mind to Ch . I. 25 IN A TRAIN .
... courfe . Elevation touches the mind no lefs A train of perceptions or ideas , with refpect to its u niformity and variety , is handled afterwards , chap . 9 . than than grandeur doth ; and in raising the mind to Ch . I. 25 IN A TRAIN .
26 psl.
Lord Henry Home Kames. than grandeur doth ; and in raising the mind to elevated objects , there is a fenfible pleasure : the courfe of nature , however , hath ftill a greater influence than elevation ; and therefore , the pleasure of ...
Lord Henry Home Kames. than grandeur doth ; and in raising the mind to elevated objects , there is a fenfible pleasure : the courfe of nature , however , hath ftill a greater influence than elevation ; and therefore , the pleasure of ...
33 psl.
... raised in us by external objects , thofe only of the eye and the ear are honoured with the name of paffion or ... raise emotions and paffions . To those who would excel in the fine arts , that branch of know .. ledge is indifpenfible ...
... raised in us by external objects , thofe only of the eye and the ear are honoured with the name of paffion or ... raise emotions and paffions . To those who would excel in the fine arts , that branch of know .. ledge is indifpenfible ...
35 psl.
... one who is under no diftrefs . of body nor of mind . The circumftances now mentioned , if they raise an emotion or paffion , cannot be entirely indiffer- C 2 ent ; ent ; for if fo , they could not make Part . I. EMOTIONS AND PASSIONS . 35.
... one who is under no diftrefs . of body nor of mind . The circumftances now mentioned , if they raise an emotion or paffion , cannot be entirely indiffer- C 2 ent ; ent ; for if fo , they could not make Part . I. EMOTIONS AND PASSIONS . 35.
36 psl.
... raised by an object in diftrefs , if that object did not give pain . What is now faid about the production of e- motion or paffion , refolves into a very fimple propofition , That we love what is agreeable , and hate what is ...
... raised by an object in diftrefs , if that object did not give pain . What is now faid about the production of e- motion or paffion , refolves into a very fimple propofition , That we love what is agreeable , and hate what is ...
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action againſt agreeable alfo alſo appear arifing arts beauty becauſe Cæfar cafe caufe cauſe chap circumftances colour connection courfe courſe cuftom defcribing defire degree deſcription difagreeable dignity diſcover diſtinguiſh diſtreſs effect elevation eſpecially exiſtence expreffed expreffion external figns faid fame feeling fenfe fenfible fentiments fhall fhould fight fimilar final caufe fingle fingular fion firſt focial fome fometimes fpectator ftill fubject fublime fucceffion fuch fufficient furpriſe fwell grandeur gratification greateſt habit happineſs hath himſelf impreffion inftances itſelf ject laſt lefs leſs meaſure mind moft moſt motion mufic muft muſt nature neceffary obfervation object occafion oppofite Othello paffage paffion pain perceptions perfon pleaſant emotion pleaſure prefent produce produceth propriety puniſhment purpoſe raiſed reafon reflection refpect reliſh reſemblance ridicule riety ſcarce ſenſe Shakeſpear ſpeaking ſtate ſtill tafte taſte thefe themſelves theſe things thofe thoſe thou tion uſe variety