Elements of Criticism, 1 tomasJohn Bell and William Creech; and for T. Cadell, G. G. J. and J. Robinson, London, 1788 |
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Rezultatai 1–5 iš 72
xv psl.
... External Signs of Emotions and Paffions , 426 16. Sentiments , 17. Language of Paffion , VOLUME II , 18. Beauty of Language , Sect . 1. Beauty of Language with respect to Sound , 2. Beauty of Language with respect to Signification , - 3 ...
... External Signs of Emotions and Paffions , 426 16. Sentiments , 17. Language of Paffion , VOLUME II , 18. Beauty of Language , Sect . 1. Beauty of Language with respect to Sound , 2. Beauty of Language with respect to Signification , - 3 ...
xvi psl.
... 23. The Three Unities , 403 24. Gardening and Architecture , 430 25. Standard of Tafte , Appendix . Terms defined or explained , 487 505 INTRODUCTION . T WHAT nothing external is perceived till firft xvi CONTENT S. CON.
... 23. The Three Unities , 403 24. Gardening and Architecture , 430 25. Standard of Tafte , Appendix . Terms defined or explained , 487 505 INTRODUCTION . T WHAT nothing external is perceived till firft xvi CONTENT S. CON.
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Lord Henry Home Kames. INTRODUCTION . T WHAT nothing external is perceived till firft it make an impreffion upon the or- gan of fenfe , is an obfervation that holds equally in every one of the external fenfes . But ' there is a ...
Lord Henry Home Kames. INTRODUCTION . T WHAT nothing external is perceived till firft it make an impreffion upon the or- gan of fenfe , is an obfervation that holds equally in every one of the external fenfes . But ' there is a ...
2 psl.
... externally at the or- gan of fenfe , are conceived to be merely corpo- real . The pleasures of the eye and the ear , being thus elevated above those of the other external senses , acquire fo much dignity as to become a laudable ...
... externally at the or- gan of fenfe , are conceived to be merely corpo- real . The pleasures of the eye and the ear , being thus elevated above those of the other external senses , acquire fo much dignity as to become a laudable ...
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... external objects ; but they also resemble the former , being , like them , produced without any fenfible organic impreffion . Their mixt nature and middle place between organic and intellec tual pleasures , qualify them to affociate ...
... external objects ; but they also resemble the former , being , like them , produced without any fenfible organic impreffion . Their mixt nature and middle place between organic and intellec tual pleasures , qualify them to affociate ...
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action againſt agreeable alfo alſo appear arifing arts beauty becauſe Cæfar cafe caufe cauſe chap circumftances colour connection courfe courſe cuftom defcribing defire degree deſcription difagreeable dignity diſcover diſtinguiſh diſtreſs effect elevation eſpecially exiſtence expreffed expreffion external figns faid fame feeling fenfe fenfible fentiments fhall fhould fight fimilar final caufe fingle fingular fion firſt focial fome fometimes fpectator ftill fubject fublime fucceffion fuch fufficient furpriſe fwell grandeur gratification greateſt habit happineſs hath himſelf impreffion inftances itſelf ject laſt lefs leſs meaſure mind moft moſt motion mufic muft muſt nature neceffary obfervation object occafion oppofite Othello paffage paffion pain perceptions perfon pleaſant emotion pleaſure prefent produce produceth propriety puniſhment purpoſe raiſed reafon reflection refpect reliſh reſemblance ridicule riety ſcarce ſenſe Shakeſpear ſpeaking ſtate ſtill tafte taſte thefe themſelves theſe things thofe thoſe thou tion uſe variety