The Changing Drama: Contributions and TendenciesH. Holt, 1914 - 321 psl. |
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achieved acter actor actually ancient appeal Aristotle artist audience Brieux Brunetière char character comedy conception conflict consciousness contemporary drama contemporary dramatists conventions creative doctrine Doll's House dram drama of to-day dramatic art dramatic criticism dramatic form dramatist Dumas effect emotional Emperor and Galilean employed ence epoch esthetic evolution exhibit expression force Galsworthy genius Greek Hauptmann Hedda Gabler Henrik Ibsen heredity hero human ideal illusion indispensable individual influence intellectual John Gabriel Borkman justice laws less literary species literature Little Eyolf Maeterlinck matic means ment modern drama modern dramatists Molière moral naturalism naturalistic novel Oscar Wilde passions Peer Gynt play playhouse poetic principles realistic realize Rosmersholm says scene scientific sense Shakespeare short-story social dramas society soliloquy spectator spirit stage Strindberg technic theater theatrical theories three unities tion tive tragedy treatment true unity of action unity of impression unity of place Warren's Profession
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