Elements of CriticismA. S. Barnes, 1883 - 486 psl. |
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Rezultatai 1–5 iš 88
7 psl.
... painful , agree- able and disagreeable . - Modification of these quali- ties ..... III . Interrupted Existence of Emotions and Passions.- Their Growth and Decay 45 47 49 52 59 62 71 76 " IV . Coexistent Emotions and Passions ... 81 66 V ...
... painful , agree- able and disagreeable . - Modification of these quali- ties ..... III . Interrupted Existence of Emotions and Passions.- Their Growth and Decay 45 47 49 52 59 62 71 76 " IV . Coexistent Emotions and Passions ... 81 66 V ...
10 psl.
... pain felt at the organ of sense : thus we have a sensation of the pleasure arising from warmth , from a fragrant smell , from a sweet taste and of the pain arising from a wound , from a fetid smell , from a disagreeable taste . In ...
... pain felt at the organ of sense : thus we have a sensation of the pleasure arising from warmth , from a fragrant smell , from a sweet taste and of the pain arising from a wound , from a fetid smell , from a disagreeable taste . In ...
11 psl.
... pain from cold , " or , " I have a sensation of pleasure from heat , and of pain from cold . " But the meaning of feeling , as is said , is much more extensive . It is proper to say , I feel pleasure in a sumptuous building , in love ...
... pain from cold , " or , " I have a sensation of pleasure from heat , and of pain from cold . " But the meaning of feeling , as is said , is much more extensive . It is proper to say , I feel pleasure in a sumptuous building , in love ...
13 psl.
... pains to prove another proposition equally evident , That there can be no such thing as a general idea : all our original percep tions are of particular objects , and our secondary perceptions or ideas must be equally so . Dr. 15 ...
... pains to prove another proposition equally evident , That there can be no such thing as a general idea : all our original percep tions are of particular objects , and our secondary perceptions or ideas must be equally so . Dr. 15 ...
16 psl.
... painful emotions . With respect to external objects in particular , we dis- tinguish those which produce organic impressions , from those which affect us from a distance . When we touch a soft and smooth body , we have a pleasant ...
... painful emotions . With respect to external objects in particular , we dis- tinguish those which produce organic impressions , from those which affect us from a distance . When we touch a soft and smooth body , we have a pleasant ...
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accent action Æneid agreeable appear beauty blank verse burlesque Cæsar chapter circumstance colors congruity connected degree dignity disagreeable distinguished effect elevation emotion raised epic epic poem epic poetry example expression external signs Falstaff feeling figure figure of speech garden give grandeur habit hath Hence Henry IV Hexameter Hudibras human ideas Iliad imagination imitation impression instances Julius Caesar kind language less light manner means melody metaphor mind motion nature never observation ornaments Othello pain Paradise Lost passion pause peculiar perceive perceptions person pleasant emotion pleasure poem poetry principle produce produceth proper propriety qualities reason relation relish remarkable resemblance respect rhyme Richard II ridicule rule sense sensible sentiments Shakspeare short syllables simile sound spectator speech sublime syllables taste termed thee things thou thought tion tone uniformity variety verse words writers York American